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University of California Berkeley 

Regional Oral History Office University of California 

The Bancroft Library Berkeley, California 

The Wine Spectator California Winemen Oral History Series 

Richard L. Maher 

Interviews Conducted by 

Ruth Teiser 
in 1990 and 1991 

Copyright e 1992 by The Regents of the University of California 

Since 1954 the Regional Oral History Office has been interviewing leading 
participants in or well -placed witnesses to major events in the development of 
Northern California, the West, and the Nation. Oral history is a modern research 
technique involving an interviewee and an informed interviewer in spontaneous 
conversation. The taped record is transcribed, lightly edited for continuity 
and clarity, and reviewed by the interviewee. The resulting manuscript is typed 
in final form, indexed, bound with photographs and illustrative materials, and 
placed in The Bancroft Library at the University of California, Berkeley, and 
other research collections for scholarly use. Because it is primary material, 
oral history is not intended to present the final, verified, or complete 
narrative of events. It is a spoken account, offered by the interviewee in 
response to questioning, and as such it is reflective, partisan, deeply involved, 
and irreplaceable. 


All uses of this manuscript are covered by a legal agreement 
between The Regents of the University of California and Richard L. 
Maher dated March 2, 1992. The manuscript is thereby made available 
for research purposes. All literary rights in the manuscript, 
including the right to publish, are reserved to The Bancroft Library 
of the University of California, Berkeley. No part of the 
manuscript may be quoted for publication without the written 
permission of the Director of The Bancroft Library of the University 
of California, Berkeley. 

Requests for permission to quote for publication should be 
addressed to the Regional Oral History Office, 486 Library, 
University of California, Berkeley 94720, and should include 
identification of the specific passages to be quoted, anticipated 
use of the passages, and identification of the user. The legal 
agreement with Richard L. Maher requires that he be notified of the 
request and allowed thirty days in which to respond. 

It is recommended that this oral history be cited as follows: 

Richard L. Maher, "California Winery 
Management and Marketing," an oral history 
conducted in 1990 and 1991 by Ruth Teiser, 
Regional Oral History Office, The Bancroft 
Library, University of California, 
Berkeley, 1992. 

Copy no. 

Richard L. Maher, 1990 

Photograph courtesy of The Wine Spectator 

Cataloging Information 

MAKER, Richard L. (b. 1933) Wine marketer 

California Winery Management and Marketing. 1992, ix, 76 pp. 

Sales career beginning with Procter & Gamble, 1960; work in wine industry: 
Gallo (1965-1968), Heublein (1968-1969, 1972-1975, 1989-1992), Christian 
Bros. (1986-1989); national and multinational corporations in the wine 
business; Napa Valley land ownership and use; future direction of wine 

Interviewed in 1990 and 1991 by Ruth Teiser for the Wine Spectator 
California Winemen Oral History Series, The Regional Oral History Office, 
The Bancroft Library, University of California, Berkeley. 

TABLE OF CONTENTS --Richard L. Maher 



EARLY YEARS, 1933-1960 1 

The Marine Corps, 1955-1958 2 

Stanford School of Business, 1958-1960 2 

CAREER BEGINNING: Procter & Gamble, 1960-1965 4 

Alfred Fromm and Sales Fundamentals 5 


Gallo, 1965-1968 8 

Heublein, 1968-1969 12 


Initial Interest in Wine 15 


Heublein, 1972-1975 18 

Nestle, 1975-1983 21 

Myron Nightingale 22 

National and Multinational Companies in the Wine Business 25 

Rebuilding Beringer's Reputation 27 

Wine World, Incorporated 32 

Seagram, 1983-1985 33 


Greystone Cellars 46 

Quail Ridge 47 




Goals 60 


The Wine Institute 63 

The Napa Valley Vintners 64 

Land Use and Other Issues 65 

Exports 68 





The California wine industry oral history series, a project of the 
Regional Oral History Office, was initiated in 1969 through the action 
and with the financing of the Wine Advisory Board, a state marketing 
order organization which ceased operation in 1975. In 1983 it was 
reinstituted as The Wine Spectator California Winemen Oral History Series 
with donations from The Wine Spectator Scholarship Foundation. The 
selection of those to be interviewed is made by a committee consisting of 
the director of The Bancroft Library, University of California, Berkeley; 
John A. De Luca, president of the Wine Institute, the statewide winery 
organization; Maynard A. Amerine, Emeritus Professor of Viticulture and 
Enology, University of California, Davis; the current chairman of the 
board of directors of the Wine Institute; Ruth Teiser, series project 
director; and Marvin R. Shanken, trustee of The Wine Spectator 
Scholarship Foundation. 

The purpose of the series is to record and preserve information on 
California grape growing and winemaking that has existed only in the 
memories of wine men. In some cases their recollections go back to the 
early years of this century, before Prohibition. These recollections are 
of particular value because the Prohibition period saw the disruption of 
not only the industry itself but also the orderly recording and 
preservation of records of its activities. Little has been written about 
the industry from late in the last century until Repeal. There is a real 
paucity of information on the Prohibition years (1920-1933), although 
some commercial winemaking did continue under supervision of the 
Prohibition Department. The material in this series on that period, as 
well as the discussion of the remarkable development of the wine industry 
in subsequent years (as yet treated analytically in few writings) will be 
of aid to historians. Of particular value is the fact that frequently 
several individuals have discussed the same subjects and events or 
expressed opinions on the same ideas, each from his own point of view. 

Research underlying the interviews has been conducted principally in 
the University libraries at Berkeley and Davis, the California State 
Library, and in the library of the Wine Institute, which has made its 
collection of in many cases unique materials readily available for the 


The Regional Oral History Office was established to tape record 
autobiographical interviews with persons who have contributed 
significantly to recent California history. The office is headed by 
Willa K. Baum and is under the administrative supervision of The Bancroft 

Ruth Teiser 
Project Director 

The Wine Spectator California Winemen 
Oral History Series 

July 1992 

Regional Oral History Office 
486 The Bancroft Library 
University of California, Berkeley 


Interviews Completed July 1992 

Leon D. Adams, Revitalizing the California Wine Industry. 1974 

Leon D. Adams, California Wine Industry Affairs: Recollections and Opinions. 

Maynard A. Amerine, The University of California and the State's Wine 
Industry. 1971 

Maynard A. Amerine, Wine Bibliographies and Taste Perception Studies. 

Philo Biane, Wine Making in Southern California and Recollections of Fruit 
Industries. Inc. . 1972 

John B. Cella, The Cella Family in the California Wine Industry. 1986 

Charles Crawford, Recollections of a Career with the Gallo Winery and the 
Development of the California Wine Industry. 1942-1989. 1990 

Burke H. Critchfield, Carl F. Wente, and Andrew G. Frericks, The California 
Wine Industry During the Depression. 1972 

William V. Cruess, A Half Century of Food and Wine Technology. 1967 

Jack and Jamie Peterman Davies, Rebuilding Schramsberg: The Creation of a 
California Champagne House. 1990 

William A. Dieppe, Almaden is My Life. 1985 

Making California Port Wine: Ficklin Vineyards from 1948 to 1992. interviews 
with David, Jean, Peter, and Steven Ficklin, 1992 

Alfred Fromm, Marketing California Wine and Brandy. 1984 

Louis Gomberg, Analytical Perspectives on the California Wine Industry. 1935- 
1990. 1990 

Miljenko Grgich, A Croatian- American Winemaker in the Naoa Valley. 1992 
Joseph E. Heitz, Creating a Winery in the Napa Vallev. 1986 

Maynard A. Joslyn, A Technologist Views the California Wine Industry. 

Amandus N. Kasimatis, A Career in California Viticulture. 1988 

Morris Katz, Paul Masson Winery Operations and Management. 1944-1988. 1990 

Legh F. Knowles, Jr., Beaulieu Vineyards from Family to Corporate Ownership. 


Horace 0. Lanza and Harry Baccigaluppi, California Grape Products and Other 
Wine Enterprises. 1971 

Zelma R. Long, The Past is the Beginning of the Future: Simi Winery in its 
Second Century. 1992 

Richard Maher, California Winery Management and Marketing. 1992 

Louis M. Martini and Louis P. Martini, Wine Making in the Napa Valley. 

Louis P. Martini, A Family Winery and the California Wine Industry. 1984 

Eleanor McCrea, Stonv Hill Vineyards: The Creation of a Napa Vallev Estate 
Winery. 1990 

Otto E. Meyer, California Premium Wines and Brandy . 1973 

Norbert C. Mirassou and Edmund A. Mirassou, The Evolution of a Santa Clara 
Vallev Winery. 1986 

Peter Mondavi, Advances in Technology and Production at Charles Krug Winery. 
1946-1988. 1990 

Michael Moone, Management and Marketing at Beringer Vineyards and Wine World, 
Inc. . 1990 

Myron S. Nightingale, Making Wine in California. 1944-1987. 1988 
Harold P. Olmo, Plant Genetics and New Grape Varieties. 1976 

Cornelius Ough, Researches of an Enologist. University of California. Davis. 
1950-1990. 1990 

John A. Parducci, Six Decades of Making Wine in Mendocino County. California. 

Antonio Perelli-Minetti, A Life in Wine Making. 1975 

Louis A. Petri, The Petri Family in the Wine Industry. 1971 

Jefferson E. Peyser, The Lav and the California Wine Industry. 1974 

Lucius Powers, The Fresno Area and the California Wine Industry. 1974 

Victor Repetto and Sydney J. Block, Perspectives on California Wines. 1976 

Edmund A. Rossi, Italian Swiss Colony and the Wine Industry. 1971 

Edmund A. Rossi, Jr., Italian Swiss Colony. 1949-1989: Recollections of a 
Third-Generation California Winemaker. 1990 

Arpaxat Setrakian, A. Setrakian. a Leader of the San Joaquin Vallev Grape 
Industry. 1977 

Elie Skofis, California Wine and Brandy Maker. 1988 

Andre Tchelistcheff , Grapes. Wine, and Ecology. 1983 

Brother Timothy, The Christian Brothers as Wine Makers. 1974 

Louis (Bob) Trinchero, California Zinfandels. a Success Storv. 1992 

The Wente Family and the California Wine Industry, interviews with Jean, 
Carolyn, Philip, and Eric Wente, 1992. 

Ernest A. Wente, Wine Making in the Livermore Vallev. 1971 

Albert J. Winkler, Viticultural Research at UC Davis (1921-1971). 1973 

John H. Wright, Domaine Chandon: The First French- owned California Sparkling 
Wine Cellar, includes an interview with Edmond Maudiere, 1992 



Richard Maher is a specialist in sales and marketing who has worked 
mainly with wine, but also with cleaning products (Procter & Gamble) and 
food (Pizza Hut) . He is an efficient executive who credits his Marine 
Corps service with teaching him the basics of management. He built upon 
that with a Stanford Business School degree and then a job with E & J 
Gallo, the California wine organization that has in effect supplied a 
large part of the industry with able men. 

Born in 1933 in Southampton, New York, Dick Maher studied 
engineering at the Rensaeler Polytechnic Institute before joining the 
Marine Corps. "I learned an awful lot from the Marines," he told the 
magazine Market Watch in 1990. "They taught me you get what you inspect, 
not what you expect. I think that helps in the premium wine business. 
I'm always snooping around here, talking with winemakers and cellar 
workers. The disciplines I learned in the Marine Corps are very 
important. " 

A practical decision (three years of study vs. two) took him next to 
Stanford School of Business rather than law school for graduate study, 
but perhaps what had proved to be a remarkable talent for marketing 
underlay the decision as well. 

He is sui generis, as perhaps most highly successful salesmen are. 
He is as unlike such other successful marketers as William Dieppe of 
Almaden, Leigh Knowles , Jr. of Beaulieu, and Alfred Fromm of Fromm and 
Sichel (all of whom have been interviewed for this series) as they are 
from each other. 

Save for three years in other fields, he has worked since 1965 for a 
succession of notable wine organizations: Gallo, Heublein, Nestle, 
Seagrams, Christian Brothers, and (when it was sold to Heublein) Heublein 
once more. He has been since 1989 the president of Napa Valley Fine Wine 
Group. As was remarked by a member of the committee which selects those 
to be interviewed, his long experience with major companies makes his 
interview indispensable . 

Energetic and agile in both body and mind, he can step off a red 
eye flight and go straight to his day's work. He is distinctly marked by 
his early Marine training and by his Irish-American heritage, which is 
reflected in understated and often dry wit, and a cheerfulness which in 
no way interferes with his often analytical insight. In the 1980s he 
witnessed a significant shift in power in the Napa Valley. He now holds 
a major part of that power. 


The interview with Richard Maher was held two mornings, August 28, 
1990, and April 5, 1991, in his office at the Heublein Fine Wine Group 
headquarters south of St. Helena. 

While many of the subjects discussed in this interview have been 
spoken of in other interviews in the California Winemen series , those 
most closely related are: Alfred Fromm, Marketing California Wine and 
Brandv: E. Michael Moone , Management and Marketing at Beringer Vineyards 
and Wine World. Inc.: Myron S. Nightingale, Making Wine in California. 
and Brother Timothy Diener, The Christian Brothers as Winemakers. 

August 1992 

Regional Oral History Office 

The Bancroft Library 

University of California, Berkeley 

Regional Oral History Office University of California 

Room 486 The Bancroft Library viii Berkeley, California 94720 

(Please write clearly. Use black ink.) 

Your full name _ Richard L. Maher, Jr. _ 

Date of birth 4/10/33 _ Birthplace Southampton, NY 
Father's full name Richard L. Maher 

Occupation O^ice Manager _ Birthplace Jamesport, NY 
Mother's full name Teresa (Tansasch) Maher _ 

Occupation Registered Nurse _ . Birthplace New York > ^ _ 
Your spouse Marcia (Staples) Maher _ 
Your children Snannon Sean, Michael, Kerrie and Kelly 

Where did you grow up? Southampton, NY _ 
Present community St - Helena, California _ 
Education B * S< ~ Rensse l aer Polytechnic Institute 1955 
M.B.A. - Stanford University 1960 

Occupation(s) Winery President (see attached Biographical Outline) 

Areas of expertise Unknown. .. Career progression was via Marketing and Sales 

Other interests or activities S P orts (especially tennis), reading. Ranked 

in Northern California Senior Tennis. Other interests include family and travel 

~ t-j v Napa Valley Vintners (Past President) 
Organizations in which you are active v * y 

Napa Valley Wine Auction (Past Chairman) , Wine Institute (Past Chairman) , 
Napa Youth Tennis Association (President) 




Richard L. Maher 


President & General Manager 
Heublein Fine Wine Group 


April 10, 1933 


B.S . -Rensselaer Polytechnic Institute 1955 
M.B. A. -Stanford University 1960 


President, Mont La Salle Vineyards and 1986-1989 
The Christian Brothers Sales Company 

President 1984-1986 

The Seagram Wine Company 

President 1975-1983 

Beringer Vineyards 

Vice President, Sales & Marketing 1972-1975 
United Vintners 

Sales & Marketing Management, Procter & 
Gamble and Gallo 

EARLY YEARS, 1933-1960 

[Interview 1: August 28, I990]//y/ 1 

Teiser: Let me begin by asking when and where you were born. 
Maher: I was born in Southampton, New York, on April 10, 1933. 
Teiser: Did you grow up there? 

Maher: Yes. When people say they had their summer home in Southampton, I 
kiddingly say I also had my fall, winter, and spring home there. 
I was what we called a "townie" who grew up in eastern Long 
Island, which in those days was potato farming and a wonderful 
place to grow up. Since then there have been a lot of changes, 
not all of them favorable. It has become a playground for the 
East Coast, and where potato plants used to sprout when I grew up, 
there are now multi-million dollar seaside cottages. 

My mother lived out there until 1987, when she moved away. 
She lived in the same house for over fifty years, which is kind of 
unique these days. 

Teiser: Did you go to school there, then? 

Maher: I went to Southampton High School and graduated in 1951. Then in 
1951 I went to RPI , Rensselaer Polytechnic Institute, which is an 
engineering school in Troy, New York. 

'This symbol (##) indicates a tape or segment of a tape has begun 
or ended. For a guide to the tapes, see page 73. 

Maher : 

The Marine Corps. 1955-1958 

When I graduated from there in June, 1955, I was commissioned in 
the United States Marine Corps as a second lieutenant. I went on 
active duty until August of 1958. 

Teiser: How did you happen to join the Marines? 

Maher: I had two scholarships in college. I had a scholarship called 
Naval Reserve Officers' Training Corps, which was a competitive 
exam. They accepted 1,400 people each year. This paid my 
tuition, all my books and lab fees, and gave me $50 a month. In 
return for that I had to agree to serve some time as an officer 
and go to summer camp. So I had the unique experience, between my 
freshman and sophomore year, of going on a destroyer for nine 
weeks and went to Belfast, Ireland, Le Havre, France, and 
Guantanamo Bay, Cuba. 

Between my sophomore and junior years I went to naval air 
training in Corpus Christi, Texas, and to amphibious training down 
in Little Creek, Virginia. Between my junior and senior year I 
opted, rather than join the Navy, to sign up for the Marine Corps 
and went down to Quantico [Virginia] , outside of Washington, D.C. , 
for a summer of rather rigorous training. 

The Marine Corps was a great experience in my life. I had 
some challenging job assignments and worked for some outstanding 
people. It's very interesting; these were people who, no matter 
where they worked, would have been very successful. My locations 
ranged from Okinawa to Japan to the Philippines to Puerto Rico to 
North Carolina to Camp Pendleton, down in southern California, and 
Virginia. So it was a great experience for someone in their early 
twenties. I am convinced that it was this training and experience 
that I had with the corps that certainly got me into graduate 
school . 

Stanford School of Business. 1958-1960 

Maher: When I came out of the Marine Corps in 1958, I went to Stanford 
Business School. 

Teiser: How did you happen to do that? 

Maher: Well, it was one of those great decisions. I was sitting on a 

little island off the coast of Puerto Rico, thinking about what I 
was going to do. I had done a lot of legal work in the Marines, 
and I thought, "I'll either go to law school or business school." 
Law school was three years, business school was two. It was an 
easy decision; I decided to save a year. I had always been in 
love with California, and I wanted to come out here. I came out 
here and thought the Stanford campus, down in Palo Alto, was 
spectacular, and I enjoyed the vigorous intellectual exercises 
that you went through at the business school. 

Teiser: Did you specialize in anything at the business school? 

Maher: Oh, I kind of specialized in the sales and marketing aspects, but 
perhaps the most significant thing that came out of the business 
school was that I met my wife the Christmas of the first year. I 
courted her, we were engaged in June, and married the following 
September. Next week we celebrate thirty-one years of marriage, 
so that has to be the most significant thing that resulted from 
business school. 

Business school was interesting, because you were competing 
with people from all over the country and all over the world at a 
very interesting level. Business school was just starting to 
become a buzz word in the business world. I think it was a kind 
of serendipity; I stumbled into the right thing at the right time, 
which I guess is probably the best definition. 


Maher: When I graduated from business school in June of 1960, I went to 
work for Procter & Gamble. 

Teiser: What made you decide to do that? 

Maher: I was very interested in the marketing side of the business, and I 
applied to Colgate International and several other companies. I 
applied to Procter & Gamble, and they were interested in me 
initially for my engineering background. They offered me a job in 
their Sacramento plant, which is one of their big plants, but I 
turned it down and said I wanted to go into the marketing side. 
So they hired me as a marketing candidate. 

I went back to Hartford, Connecticut, where I was a salesman 
from July of 1960 until February of 1961. 

Teiser: What were you selling? 

Maher: Selling soap! Selling Tide, Cheer, Dash, and Ivory Soap. I am a 
firm believer, particularly after that experience, that anyone who 
wants to be in the marketing side needs to do some time as a 
salesman. Just getting out and learning what the customer is all 
about, what he expects, how you can anticipate his needs, is 
probably the backbone of any good marketing man. Experience with 
a company like Procter & Gamble was outstanding. 

Teiser: Did they have training sessions? 

Maher: Oh, they had training sessions. You would spend a week with a man 
who was a trainer, and he would teach you in that short period of 
time all he could about selling techniques, about your products, 

and then they put you right into a selling territory. So you had 
a week of boot camp, and then you were on your own. Periodically, 
he or your boss or one of the other sales managers would come and 
work with you. It was kind of on- the job training, and you were 
obviously challenged. You worked very hard, and you were 
competing with a whole group of other people and your own peer 
group. It was a very interesting experience. 

Teiser: I suppose it's easy to tell whether you're being successful. 

Maher: Just one thingyou just have to look at the cases and the dollars 
versus your quota, and you had a batting average. That's easy to 
determine. And things haven't changed much; we still have dollar 
quotas and case quotas here in the wine business, and it's easy to 
determine how you're doing. 

Teiser: I suppose it's true that any one who is good at sales can sell 

Maher: I think so. There are certain basic techniques that are 

applicable, whether in the wine business or in the cosmetic 
business or in the food business or in the soap business. I think 
it helps that the soap business was very competitive, because 
Procter & Gamble had some outstanding competitors in Lever 
Brothers and Colgate, and people like that. It was a great 
assignment. I enjoyed it. 

Alfred Fromm and Sales Fuundamentals 

Teiser: I interviewed Alfred Fromm, who was of course in wine and brandy 
sales. I imagine that his technique, which was (to oversimplify) 
walking from restaurant to restaurant, was different from the 
training that people receive now in sales. 

Maher: I would think so. It's interesting, because Alfred and I go back 
a number of years, and of course one of the companies we have in 
the Heublein collection is Fromm & Sichel. 1 As a matter of fact, 
I think there's going to be a big dinner to honor Alfred in 
November. The Jewish Museum in San Francisco is putting on 

1 The firm of Fromm & Sichel was sold to the Christian Brothers (Mont 
La Salle Vineyards) in 1983 and acquired by Heublein when it acquired Mont 
La Salle. 

something, because he has been a great philanthropist and just a 
wonderful man. I see him from time to time, and I'm looking 
forward to sharing a nice evening with him. He did an awful lot 
for Christian Brothers, both in their wines and in their brandies. 
He really built that brand. I think his association with 
Christian Brothers brand goes back just about as long as I have 
years on this earth. I was born in 1933, and I think he may have 
come on in 1936 or '37, right after Prohibition. 

Teiser: It seems light years away from the kind of training in sales that 
you are speaking of, but perhaps it isn't fundamentally. 

Maher: Fundamentally you're trying to establish what the customer's needs 
are and the best way to service those needs, whether you're 
selling a grocery store, where we sell an awful lot of wine now, 
or you're selling a restaurant. Now the latter might take a 
little more specialized skill, because generally the people who 
are running restaurants are very much not only into food but also 
into wine . So we probably look for someone who has much more 
detailed wine knowledge when we're calling upon a restaurant or a 
specialty bottle shop. Coit Liquors in North Beach [in San 
Francisco] know their wines, and you can't send an amateur in 
there . 

Teiser: Back to your career, did you then advance to another position with 
Procter & Gamble? 

Maher: After I had put about eight months in the sales department, I was 
transferred to the company headquarters back in Cincinnati. I was 
assigned to a test-market brand as what we would call an assistant 
brand manager. Procter & Gamble's system of brand management is 
that you have a man called a brand manager, and he's in charge of 
all aspects of marketing that brand. He's in charge of the 
pricing, the packaging, what the label looks like, how you 
formulate the advertising, what the promotional strategies are. I 
was an assistant to a man named Joel Smilow, who has done very 
well for himself. He is now president and one of the major 
stockholders of Playtex, which is a large international company 
headquartered on the East Coast. He's a brilliant man, a Harvard 
Business School graduate, a Baker scholar, and tough- -tough in 
terms of being very demanding and willing to teach. I had the 
opportunity of working for him for almost a year. 

We were working on a test market dry (powder) bleach. At that 
time all the bleaches were liquid, like Clorox. They were looking 
to put together a dry powdered bleach. We worked on that product 
for quite a period of time. 

Teiser: When you say you worked on it, the formulation had been completed 
and you were working on sales? 

Maher: I was working in the marketing department, where you try and make 
sure you have the right formulationdoing the testing, what 
should the name be, what should the package be, what kind of 
advertising, working with the advertising agency and product 
development. It was a very exciting time. You're learning, and, 
any time you're exposed to something new, it's interesting. 

I spent some time on that product, and then I was transferred 
to Comet Cleanser, which is a household scouring material you use 
to clean out your sinks. I spent a period of time on that, and 
then I believe it was in early 1963 that the man for whom I was 
working left the company. I was overjoyed, because I ended up 
getting his job. I stayed as a brand manager on Comet Cleanser 
until that fall of 1963, when I was transferred to Clorox out in 
Oakland, California. Procter & Gamble at that time owned Clorox, 
so here was an opportunity to bring my wife, who was a native, and 
our two children one was born in Connecticut and one was born in 
Cincinnati- -back to California. 

So we moved back out to California in October of 1963. I 
worked at Clorox over in the East Bay until February of 1965. 


Gallo. 1965-1968 

Maher : 

Maher : 

Maher : 

In February of 1965 I went to work for the E6J Gallo Winery. 
How did that happen? 

I was interested in 1963 in moving back to California. I married 
a Calif ornian, and I found the weather on the East Coast and in 
the Midwest and Cincinnati not to be nearly as nice as California. 
I had contacted the Gallo Winery in 1963 and had a courtship with 
them. I was very impressed by the people I had met. About a year 
and a half later the courtship was resumed, and I ended up going 
to work for them. 

Were they aware of your success at Procter & Gamble? 

Oh, I don't know if they were aware of my success, but they were 

The Gallo organization is 
The wine business was 

aware of the experience that I had, 
always looking for talented people, 
changing at that particular time. 

How was it changing? 

It's ironic that just thirty years ago- -I could go back and look 
at the statistics --there were a lot of dessert wines; in fact, 
over half the wine sold in the United States was dessert wine. 
Now my guess is that it is probably less than 15 percent. Of 
course, that was including the special naturals such as 
Thunderbird. The move towards table wine was just starting. I 
think Gallo certainly recognized that at the time, and they were 
really doing their packaging and their products to try and 

capitalize on what they saw was the future of the wine business- - 
i.e., a bottle of table wine on the dinner table, or a glass of 
wine for lunch. So they were very interesting times at Gallo. 

Teiser: This was before they got far into varietals, wasn't it? 
Maher: I think it was pre- varietals . This was 1965 to 1968. 
Teiser: When did Hearty Burgundy come along? 

Maher: Hearty Burgundy came along just about that time, and so did Pink 

Chablis and Chablis Blanc. But at that time Hearty Burgundy was a 
proprietary, rather than a varietal. Very interesting times. 

Also towards the latter part of that period, in 1967 and '68, 
the so-called "pop" wines- -Boone' s Farm and Ripple- -started 

Teiser: Gallo always seems to be in the forefront. Is it an innovator, or 
does it pick up very quickly on the trends? 

Maher: I think it's really both. Not only are they an innovator, and not 
only do they read trends, but they have an intelligence-gathering 
system through their sales force which is outstanding. They are 
able to keep track of what is happening in markets all over the 
country, not only what the consumer is drinking but what the 
competition is doing. They learn an awful lot from that. An 
intelligence-gathering system like that can give you some very 
distinct advantages, if you can find out what is going on. One of 
the advantages of the Gallo system is that everyone has gone 
through their training down in Los Angeles or in San Francisco, so 
they're very well disciplined, and they have a certain common 
theme that runs through it. So the information that comes out is 
in a good form, and they're able to digest that. But Gallo 
certainly has been an innovator. Whether it was with the special 
naturals such as Thunderbird, or the pop wines with Boone' s Farm, 
and later with Spanada or the coolers, they've been innovators. 
They've been able to read what the consumer wants. Some people 
say they're lucky. My definition of "luck" is when "preparation 
meets opportunity." So they've been ready to go ahead and 
capitalize on these things. 

Teiser: I know they've done some test marketing. Were they at that time 
putting many products on the market which they then withdrew 
because they didn't go? 






No. I'm a little fuzzy, because I was working in my narrow 
spectrum. They were fooling around with brandy in those days, and 
they had a champagne. I think they had some products under Eden 
Roc, which was the name of a hotel down in Florida. It's 
interesting that they played around with brandy for a number of 
years, and now they have the number one brandy in the country, and 
it's probably in the top twenty spirits brands. If someone had 
predicted they would have done that, I think everybody would have 
laughed at them. But they've done it. 

In the champagne business, they built the inexpensive, good 
value champagne with Andre. They sold it at a very interesting 
price, $1.99 in most markets, and they created the whole market. 
In the process of creating the market, they also have dominated 
that market. So they have been innovative. Not only have they 
been innovative, I think they've been persistent. When they feel 
that something is right, they stick by it and put the weight of 
their organization behind it. 

The brandy story is interesting, 
for a long time. 

I think they bought their brandy 

Yes, they might have. Now they have some huge aging cellars and 
are making a very nice product. 

Did Ernest Gallo hire you? 

Ernest and a gentleman by the name of Albion Fenderson, who is the 
executive vice president of marketing. I worked for Albion, who 
was a very creative, very innovative, very brilliant man. I was 
working on a couple of brands. I had Thunderbird, which was a 
very large product that was somewhat broad-based. Some of it was 
sold in ethnic markets, and then there was an awful lot of it in 
the regular broad market. I worked on a brand called Paisano, 
which was a table wine. 

In the latter part of my time there I worked on a brand 
called Ripple, which was kind of a pop wine. At one time it was 
made out of pears; it was what we called a peary wine. It had a 
little carbonation in it and was a very interesting product. 

When you say "worked" on these brands, what did you do? 

I was in charge of them, 
group marketing manager. 

I was the brand manager and eventually a 

Teiser: So they had a system similar to Procter & Gamble? 


Maher: Yes, they had a brand management system. 
Teiser: Was it in place when you arrived? 

Maher: Yes, it was. They had some of the talented people working there. 
In a sense it was like being president of your own company, except 
you have an outside treasury. They give you a budget, and you're 
in charge of maximizing the sales and profits of the brand. 

Teiser: Did you have any impact upon the production? Did you ever taste a 
wine and say, "It should be a little more this way"? 

Maher: At the Gallo organization, sales and marketing was on one side 

under Ernest, and on the other side was Julio. From time to time 
we would go over and taste. Most of my contact with the 
production side was giving them forecasts, and, if you were 
changing the package, to make sure that this was what the package 
design would be, this was what the label would be, and this would 
be the type of cap. Gallo has great research facilities, and they 
know an awful lot about the grape and what makes a good grape-- 
i.e., the viticulture aspects of itand the winemaking aspects of 
it. They are quite well integrated. They have a glass plant and 
a trucking factory, they source their own corks. So there was 
some interplay with production, but not that much. 

I left Gallo in the fall of 1968, and I went to work for 
Heublein. Heublein had just acquired United Vintners in 1968, and 
I left Gallo to become the assistant director of new products at 
the corporate staff back in Hartford. 

Teiser: I should think it must have been difficult for you to decide to 

leave Gallo, because they were, I guess, by then the leading wine 
company . 

Maher: Yes, I think they passed United Vintners in either 1966 or '67. 
It went back and forth, and then they went by us like a shot. 

Teiser: Did you have to struggle with yourself to make that decision? 

Maher: I think any time you spend time with a company, when you leave you 
leave a little of yourself and take a little of the company with 
you. It was a tough decision. Heublein was in interesting 
company. They were publicly traded; Gallo was a privately held 
family company. It's interesting that some of the friends I made 
at Gallo have continued to this dayAlbion Fenderson, Ernest and 


Julio, Bob Gallo, Jim Coleman, and people like that. I think any 
time you make a change- -whether you just move out of a house to 
another house -- there ' s a certain amount of emotional baggage that 
goes along with it. It was a tough decision. 

Teiser: If you do stay in any family company, you can only go so far, I 

Maher: Oh, I guess so. Certainly the Gallo company has grown over the 
years so that there has been room for an awful lot of very 
talented people- -Charles Crawford is one. 

Teiser: I know this comes up with smaller wineries. 

Maher: I think it's a lot more of a problem in a small winery. Generally 
when you go in there, there are children who are in grade school 
or high school or college, and eventually you know that they're 
going to end up as an owner. The only thing better than being an 
employee is being an owner, although sometimes being an owner 
isn't all it's made out to be. [laughs] 

Heublein. 1968-1969 

Teiser: Did Heublein come after you? 

Maher: We had a courtship. We had talked, some of my friends had gone to 
work there, and it looked like it was a very interesting company. 
We had talked back and forth, and finally I decided that, at that 
particular time in my career, it was a good opportunity for me. 

Teiser: Did you go to Hartford, then? 

Maher: Yes, my wife and I moved once again from California to Hartford. 
We were back there for a little less than a year. 

Teiser: Again, you were in sales and marketing? 

Maher: Yes. As the assistant director of new products you were working 
on a whole variety of products. At that time Heublein was 
primarily a spirits company, but they also owned Hamm's beer and 
they had just bought United Vintners. So I was working on new 
products in each one of those areas. That was a very stimulating 
time, because one day you were working on a beer product, the next 
day you were working on a spirits product and a wine product. It 


had Smirnoff Vodka, and vodka had exploded then and continued to 
explode . 

In 1968 Heublein bought 82 percent of United Vintners, and 
18 percent of it remained with Allied Grape Growers, which was a 
cooperative down in the San Joaquin Valley. It also had growers 
up here in the North Coast. As a matter of fact, we still buy 
some grapes from Allied growers. 

Teiser: Heublein had a whole array of products, then? 

Maher: Oh, yes. They competed directly with Gallo and were at that time 
number two after Gallo. Gallo passed them, I think, in '67 for 
the final time. But they were in the dessert wine business, in 
the popular-priced champagne business, in the brandy business, and 
in the table wine business. In 1969 they took a major step by 
buying Inglenook and Beaulieu, so they had put themselves in the 
premium wine business, which turned out to be a brilliant step. 
So they were certainly innovative and forward thinking, because 
they saw the growth and what was going to happen to premium 
grapes. They ended up here, owning two of the most prestigious 
brands and also buying some real estate along with that. 

Teiser: United Vintners had by then come in with pop wines, had they not? 

Maher: Pop wines were just starting then. Boone's Farm was the major 

one, and the forays that United Vintners made were later on in the 
1970s; w- 11 get to that in the 1972, '73 period. 

Teiser: Were you in at all on the acquisition of Beaulieu? 

Maher: No. I had nothing to do with that. I came to Heublein after the 
acquisition of United Vintners. 



Maher: I was working on new products, and in the summer of 1969 a friend 
of mine from Procter & Gamble went to work for a company called 
Great Western United. They were looking for someone to be 
executive vice president of a company called Shakey's Pizza 
Parlors. They came after me and made me executive vice president, 
gave me a company car-- 

Teiser: And all the pizzas you wanted? 

Maher: All the pizza my children could eat, and they moved us back to 

California. This gave me a chance to break out from just being a 
marketing guy and get into the senior management ranks. 

Teiser: What were your duties there? 

Maher: At that time Shakey's was the largest marketer of pizza in the 

world. They had some five hundred what we called pizza parlors, 
or restaurants, scattered around the country, mostly in the West 
and Midwest. I was in charge of all the marketing, all the 
promotion, and all the expansions- -going ahead and trying to find 
new sites, trying to sell franchises, building pizza parlors. It 
was really an interesting time. We were also the largest buyer of 
beer in the world. With the five hundred outlets, all of which 
had beer licenses, we were selling an awful lot of beer. 

Teiser: This was your introduction to the restaurant business? 

Maher: Yes, which I found to be fascinating. During that period of time 
I ended up running a small chain of restaurants. We started a 
steak house chain, called Prime Choice, and also operated a couple 
of Holiday Inns, so I got into the lodging side of the business, 
too. It was a great variety of jobs. The company was 
headquartered in Burlingame, California, for about a year, and 
then in June of 1970 the company was moved to Denver, Colorado, 
where the corporate headquarters was. The parent company, Great 

Maher : 



Western United, was traded on the New York stock exchange. It was 
comprised of a sugar company called Great Western Sugar, which was 
the largest marketer of beet sugar (Colorado is an area where they 
grow a lot of sugar beets); a land development company; and 


My wife and I and our five children packed up and moved to 
Colorado. We lived in a little place called Bowan, right by a 
seventy-acre lake. It was a wonderful atmosphere for children to 
grow up in. There were lots of kids the same age, they had a 
beach to play on. They could swim in the summer, and in the 
winter the lake froze over. 

When you were running all these Shakey's and allied enterprises, 
did you buy wine? 

Maher: Yes, we had a few outlets that sold wine. 

Initial Interest in Wine 

Maher: But I had become interested in wine while stationed overseas, 

particularly in Puerto Rico. We used to go to St. Thomas and buy 
wines, mostly French wines, because they were mostly the only 
wines that were for sale. Then when I came out to the business 
school, I started drinking wines because my father-in-law 
introduced me to some of the better wines. From time to time we 
would come up to the Napa Valley and taste wine. Once you have 
the reputation as a Calif ornian, everybody figured you were an 
expert on wines . Whenever people came over we would say that we 
were not experts, but we had a working knowledge, and the fact 
that we lived in California and had been to the Napa Valley was an 
added plus. And we liked the taste of wine. 

Teiser: Did you go to some of the wineries around Stanford, up in the 
Santa Cruz mountains? 

Maher: No, there weren't too many wineries in the late fifties and early 
sixties. This was before the little boutique wineries. 

Teiser: How about Paul Masson? 

Maher: Yes, it was there, but we used to go up to the Napa Valley, 

because it wasn't that far away and there wasn't nearly so much 
traffic then; it was so easy to get to. 


Tciser: Was that your introduction to Napa Valley? 

Maher: Yes. I came up here with my father-in-law, I think in 1959. That 
was my first introduction to Napa Valley, little realizing that I 
would end up living up here for a long period of time. 

Teiser: It must have been a pleasing prospect. 

Maher: Oh, it was. I wish I had bought some property! 

Teiser: So you knew a little bit about wine? 

Maher: I probably knew just enough about wine to be dangerous. 

Teiser: But you knew about it from the buyer's point of view? 

Maher: Yes, from the consumer standpoint. Of course, when you went to 
work for Gallo you were deeply immersed in the business. You 
spent a lot of time in the field, you were tasting wine, and the 
Gallos liked to have you serve the wine, so when you were having a 
party you were expected to serve the wines . They would give you 
an allocation of wine, and you could go ahead and use it. When 
you went to somebody's house, you always brought along a bottle of 
your wine. Hearty Burgundy is still a great bottle of wine, but 
then it was probably one of the great unsung values; it was 
selling for about a dollar, and it had good grapes in it. 

Teiser: I remember there were always wine snobs who were so snobbish that 
they liked Paisano and Hearty Burgundy. 

Maher: They might even put them in a decanter so you wouldn't know what 
they were. [laughter] 

Teiser: You were then with Great Western until '72. I thought you were 
out of the wine business, but you weren't entirely. 

Maher: I kept my little toe in, mostly as a consumer, but some of the 
restaurants sold wine. 

[tape speed changes to fast] 
Teiser: Then you went back to Heublein? How did you decide to do that? 

Maher: It was kind of an interesting experience that usually happens in 
everybody's life. I had probably one of the best jobs I had ever 
had, and then a man was brought back into the company and became 
my boss. [tape changes back to regular speed] We had not gotten 
along that well when he had left the company a year or so before, 
so I had the unique experience of being fired on my daughter's 
birthday in January of 1972 and then rehired back by the board of 


directors. About four months later, the same man fired me again. 
When he fired me the first time, I figured I'd better start 
looking for a job. I started talking to several companies, and I 
ended up talking to Heublein. At that time Heublein had an 
opening as vice president of marketing at United Vintners in San 
Francisco, and in the spring of 1972 I was hired. I had that job 
almost all set up; I was interviewing them when I was fired. So I 
was in the right spot at the right time. 



Heublein. 1972-1975 

Maher: I came back in the summer of 1972. At that time Heublein was just 
launching their pop wine called Annie Greensprings , which became 
very, very successful because the whole pop wine business was just 

Teiser: We have interviewed Ed Rossi, and he was interesting about the 
development of those wines. 1 

Maher: Yes, he did a lot of work on those wines, and a lot of work was 
done back in Hartford in the Heublein Product Development lab. 
The mix of products at United Vintners was quite interesting, 
because at that time they owned Inglenook. It was a part of 
United Vintners, and BV [Beaulieu Vineyard] was a separate 

Teiser: Didn't they introduce the Navalle line? 

Maher: Yes, at that time Navalle was just being introduced. In 1972 the 
magnum shape had to be the traditional shape; you couldn't have a 
fancy one. The government changed the rules in 1973, and we 
redesigned a nice sexy- looking package for Navalle, and it started 
really taking off. 

Edmund A. Rossi, Jr., Italian Swiss Colony. 1949-1989. an oral 
history interview conducted 1988, Regional Oral History Office, The 
Bancroft Library, University of California, Berkeley, 1990. 


There were several other things going on at that time. 
Italian Swiss Colony was a big line of table wines, and that was 
redesigned and repackaged. Another pop wine, T. J. Swann, was 
test marketed, developed, changed, and became very successful 
during that time. It was just one of those big explosions; you 
hit the right flavor, and whoosh, you take off. Boone's Farm had 
been very successful during that period; they had a whole bunch of 
flavors . 

Teiser: Someone told me that you were brought in to United Vintners at 

that time so they would pull ahead of Gallo. You were supposed to 
lead them in that. 

Maher: Well, I'm not so sure I was to lead them. I think it was probably 
defensive. Gallo had passed them in 1967, and they kept widening 
the lead in that their Boone's Farm was starting to really explode 
and was opening the lead. I think any time you let a competitor 
get a major jump on you in accelerating away, you need to slow the 
locomotive down. I just think the strategy was to go ahead and 
come out with some new products that would try and reduce some of 
the Gallo momentum. Of course, when you have a whole bunch of 
good sellers, you get an awful lot of clout with the retailer. 
Maybe your second competitor doesn't have the opportunity, so you 
need to bring some success stories to that retailer so he will 
understand that you are innovative and progressive and can sell 
products . 

It would be interesting to go back and look at the shares of 
the market from when Gallo first passed until about 1972. I think 
you'd see that the gap was opening up, and I think I was brought 
back to try and slow it down. It was not just me; they had some 
very talented people there at that time. The man for whom I'm 
working now, Bob Furek-- 

Teiser: You've worked with him several times. 

Maher: Three times. Despite that, he's done well! [laughs] He was the 
marketing manager on Annie Greensprings . He started with Gallo in 

Teiser: Was he with Procter & Gamble, too? 

Maher: No, he came directly from Columbia Business School to Gallo in 
1966, and I think he left Gallo in about '69. Then he went to 
United Vintners in 1970; he just celebrated twenty years with the 
Heublein organization. He was the driving force behind Annie 
Greensprings . 


Teiser: My recollection is that United Vintners was starting to crumble in 
the seventies . 

Maher: I left in '75, but I think in '72, '73, '74, and even later, 

United Vintners actually gained share. The pop wines helped them, 
the introduction of Navalle helped them, some of the work on 
Italian Swiss Colony had helped them. They were very deeply into 
the dessert wine business, and they continued to lose share in the 
desserts. It would be interesting to go back and talk to Jon 
Fredrikson and pull out maybe ten years of shares and look at 
table, dessert, and champagne shares. Gallo was very successful 
with Andre. 

Teiser: I recall going to Heublein headquarters to look up some material. 
They had had an archive and an archivist, and they were giving up 
on that. They had fired people, they pulled out of Wine 
Institute. Wasn't that in the late seventies? 

Maher: The Wine Institute withdrawal happened, I think, in late 1975. I 
left in January 1975. 

Teiser: I've never known exactly what was going on. I remember John Cella 
was there . 

Maher: John Cella was the assistant chairman. 2 I really can't comment on 
what happened after I left. The FTC [Federal Trade Commission] 
was after Heublein to divest itself of United Vintners, and 
Heublein ended up winning that. 

Teiser: By the time you left in 1975, were they still in a strong position 
in the market? 

Maher: In 1974 they had T. J. Swann, which was doing very well, Annie 
Greensprings was doing well, Navalle was doing well. I was 
offered a transfer back to Hartford to become the vice president 
of marketing in the liquor division, but I wasn't too interested 
in going back to Hartford. My wife and I had made a decision that 
we wanted to stay in California. 

2 See also John B. Cella II, The Cella Family in the California Wine 
Industry, an oral history interview conducted 1985-1986, Regional Oral 
History Office, The Bancroft Library, University of California, Berkeley, 


Nestle. 1975-1983 

Maher: I was approached by an executive recruiting firm- -I had been 

approached over the years by several- -and this one looked like a 
very interesting opportunity to go to work for Nestle. 

Teiser: You were avoiding being sent East as much as anything else, I 

Maher: That, plus the opportunity to become president. I think everybody 
wants to be the man in charge, and here was an opportunity to go 
with a company that certainly was committed to the wine business. 
They had bought an old and renowned name up here, Beringer. They 
had the assets, and it looked like a great opportunity to go in 
and see if all these theories I had developed over the years 
actually made sense . 

Teiser: Did you know people at Beringer? 

Maher: I didn't know a soul; I didn't know a single person there. While 
1 was going through the interview, my wife and I came up and 
explored the grounds and went on a tour. We made some notes and 
tried to learn as much as we could, and I was impressed by the 
people I had met at Nestle. They had a company in there whose 
assets were owned by Nestle at that time, and there was an 
overseas company run by a man by the name of Jean Pierre 
Labruyere, who was the owner of the sales and marketing company. 
I met these people- - 

Teiser: Did his family own some of the vineyards? 

Maher: No, Nestl6 owned the vineyards and the winery, and then there was 
a separate company that did the sales and marketing, because 
Nestle was in the restaurant business and they had not resolved 
that problem at the time. He and his father were very successful 
businessmen in France in a little town called Macon, right in the 
heart of the Burgundy area. 

Teiser: So you came into that just on principle? 

Maher: Principle and opportunity. I was the vice president of marketing 
and sales, as I'd taken over the sales department in 1972 at 


United Vintners in addition to marketing. Here was an opportunity 
to go break through that ceiling and become president. 

Teiser: We interviewed Michael Moone, who indicated that nobody inside the 
organization at Beringer knew you were coming in; you just 
arrived. You were presented. 

Maher: Yes. Nobody knew I was coming in. The other president was in a 
ticklish situation that I'd just as soon not go into. I was kind 
of surprised, because when I left United Vintners I didn't tell 
them where I was going because the announcement had not been made. 
There was lots of speculation as to where I was going, so I had a 
nice week off. [laughs] As a matter of fact, we were down in 
Puerto Vallarta, Mexico, with some friends when the announcement 
was made . 

Myron Nightingale 

Teiser: I know something about your years with Nestle, because we also 

interviewed Myron Nightingale. He was full of praise for what you 
did for Beringer. He just thought you put everything right and 
helped him personally. 3 

Maher: He was a good man. I really liked Myron. I have a wonderful 
picture of Myron. When the Swiss drink their white wines, they 
don't like a lot of oak. They thought we Americans were putting 
too much oak in the Chardonnay and the Fume Blanc. I have a 
picture of Myron where he has a great big glass with a two-by- 
four piece of oak right in the middle of the glass of white wine, 
which I sent over to one of the gentlemen at Nestle\ I was always 
asking for oak barrels, because I was convinced that oak was the 
way to make good wines . 

Myron is one of the great men in this industry, and he did an 
awful lot. The nicest thing about Myron is not only his technical 
knowledge, but he is so down-to-earth. He'd scratch his head, and 
he'd give you an honest answer. Sometimes you'd just wince at the 
answer, but people loved him, because so many winemakers have such 

3 Myron S. Nightingale, Making Wine in California. 1944-1987. an oral 
history interview conducted 1987, Regional Oral History Office, The 
Bancroft Library, University of California, Berkeley, 1988. 


an elitist attitude, and they speak in parables above the flocks. 
Myron loved wine, and he also liked a good martini. 

He did an awful lot for that company, not only in the 
winemaking but also on the sales side. He would go out and talk 
to a wine writer and just captivate him. Alice was a good 
assistant. We did the botrytis experiment; we recreated that and 
put together a little lab where he could do that. 

Myron was a good man, and they have an excellent winemaker 
now by the name of Ed Sbragia, who was really outstanding. He 
worked with Myron for a number of years and has certainly come 
into his own and made some wonderful wine. 

Teiser: Nightingale indicated that there was a tremendous difference in 
working for Nestle and Beringer and for National Distillers. 

Maher: He worked for Guild for a number of years- -Roma, I think. 

Teiser: He indicated quite plainly that National was not mindful of their 
employees, that they were not pleasant to them, whereas you were; 
you were thoughtful of them. 

Maher: Well, you have to realize that I'm not really in the wine 

business, and when I worked for Shakey's, I was not in the pizza 
business; I'm in the people business, and you get things done 
through people. I think you need to treat people the way you'd 
like to be treated. 

I've worked with some wonderful bosses. The best 
demonstration I ever saw of leadership was in the Marine Corps 
where a man took a piece of rope and tried to push it, and it just 
wiggled all over. He said, "That is not leadership. This is 
leadership --when you take the rope and pull it." I think you lead 
by example, you need to be visible, and you need to be concerned 
with people. You have your concerns, and I have my concerns. We 
have five children, and sometimes they drive us crazy, 
particularly when they were younger. Or when you have somebody 
sick, a parent who is ill --these people have the same concerns. 
You need to make them understand that they are appreciated and 
share some of those concerns . 

You need to be visible; you need to get around and talk to 
people. I think it's very good when you go around and demand 
certain standards and enforce those standards, assuming they're 
not ridiculous standards. You can change attitudes. It takes a 
lot of time and effort. I was a bug at the Rhine House at 


Beringer about keeping that place clean. I drive them crazy at 
our hospitality centers here. My idea is that a cigarette should 
be picked up on the second bounce. I just think that when you are 
in the premium wine business, your wineries, your vineyards, and 
your hospitality centers need to be very clean, because you're in 
a business where cleanliness is very important. 

Teiser: People we interviewed earlier who worked for national companies 
were not so outspoken, but still there was always this echo that 
national companies didn't understand wine and California people, 
and were hard on everyone. For instance, they'd send somebody out 
who was a bookkeeper, a numbers man, to tell California people how 
to make wine. I wonder if this has changed. I don't hear that 
anymore . 

Maher: I think any company that buys another company always figures 

they're going to buy it because they're smarter than the people 
who owned it before. The wine business is a highly technical one. 
Let me talk about Nestle for a moment. I was very impressed by 
Nestle because they were very interested in quality. Their 
products are outstanding, whether it be the breakthrough they made 
with Stauffer Lean Cuisine, their coffee products, or their 
chocolate products. When you would talk to them about quality, 
you would get their attention. That's how those assets were built 
over there; they were willing to build. They have four large 
barrel storage areas, and you could just figure out how many oak 
barrels there are in there and multiply by $300. There's a hell 
of a lot more wood over there than there probably is in some of 
the lumberyards in the Napa Valley. 

And the stainless steel --our industry has undergone a 
tremendous transformation. Cold fermentation of white wines in 
stainless steel has made the wine market explode. We taught the 
Italians and many others how to make good white wines, and 
sometimes it's come home to haunt us, as many countries are making 
very nice white wine. We learned the nuances of oak. American 
oak, yes, is very strong, and now you hear winemakers debating 
whether to have Yugoslavian oak or French oak; which type of 
French oak? How is the grain cut? We've made tremendous 

You have to realize that we are a very, very young wine- 
drinking and wine-producing country. Prohibition was over on 
December 5, 1933, so we've got fifty-seven years. The table wine 
business, as I saidback in 1960, thirty years ago, we were 
drinking more dessert wines than table wines . So the table wines 
have really started in the last twenty to twenty- five years. Look 


at Robert Mondavi, who started in 1966, and the tremendous impact 
he's had, not just on the Napa Valley, not just on the United 
States, but all over the world. And we have the Joe Heitzes and 
people like that. 

The important thing is that you can look at the French and 
the Italians, who have been making table wines for hundreds of 
years, and we have been making table wines for really, say, 
twenty- five years and have made tremendous strides forward, 
whether it be in viticultural techniques, yeast, stainless steel, 
or the cleanliness of our wineries. I think our wineries are 
cleaner than any wineries I have seen anywhere else in the world. 
Most importantly, we've made steps forward in terms of quality. 
Napa Valley wines, I think, are among the finest produced in the 
world. Right across the mountain, I think our Sonoma wines are 
almost as good. We [in Napa County] might have a little better 
reputation; some people feel, certainly in Sonoma, that it's not 
deserved. But we've made tremendous strides, and it's been 
compressed into a few number of years. I'm very proud of our 
industry for what they've done. 

I can go anywhere in the world and proudly say I'm from the 
Napa Valley. Somebody will have tasted our wines and recognized 
the quality of them. They also recognize the strides that 
California has made. I'm proud of being in the Napa Valley, but 
I'm also very proud of California. End of sermon. 

National and Multinational Companies in the Vine Business 

Teiser: To go back to the business of national and multinational companies 
buying local companies, they always say, as they said about 
Beaulieu, "We wouldn't have bought it if we were going to change 
it; we bought it because we like it the way it is." But most of 
them do change them. 

Maher: Let's talk about Nestle first of all. When they bought Beringer 
in 1972, Beringer had quite a tainted image. I mean, the polish 
had gone off the automobile. Nestle made tremendous investments; 
they bought an awful lot of vineyards, they leased a lot of 
vineyards, and some of the people that were hired from 1975 on- - 
they hired a man by the name of Bob [Robert E. ] Steinhauer. I 
think he is one of the best viticulturists in the Napa Valley. He 
came there I think in 1978. And they hired Ed Sbragia; Mike [R. 
Michael] Moone was hired. Mike Moone is a very interesting 


talent- -Procter & Gamble, lived in South America. I think he's 
done an outstanding job. There's a man there by the name of Walt 
[W. T.] Klenz, who is the vice president of finance and also runs 
the production side. He's an MBA from Tulane who worked at United 
Vintners, and he came to Nestle in 1976. There's a fellow named 
Jim [James F. ] Tonjum, who is the vice president of marketing and 
sales. He came there in 1975. Those people [Klenz and Tonjum] 
are still there; they've been together for fifteen years, and 
they're a great management team. They've tapped into the pockets 
of Nestle, but they had to tell Nestle how to spend the money. 

Teiser: Your predecessor at Beringer did buy vineyards 

didn't he, for the 

Maher: His name was Bob Bras, who I think came out of coffee business. 

Teiser: Myron Nightingale thought the purchase of those vineyards was a 
good step. 

Maher: Yes. I think that was driven by Nestle; Nestle likes hard assets 
They like factories, they like coffee -roasting plants, they like 
land, they like buildings. I think Nestle wanted to go ahead and 
secure the source of supply (good vineyards) . 

When Heublein bought BV and Inglenook, they had two jewels. 
The winemaking techniques, I will tell you--BV is one of the few 
wineries that still uses American oak on their private reserve, 
and they've been using American oak on their private reserve 
forever. So they changed very little right there. Inglenook has 
had some changes, but most of the change was probably the 
introduction and development of Navalle. Those Inglenook-Napa 
wines are still just as fine as they were thirty years ago. 
Everybody said that Heublein was going to screw up BV and 
Inglenook when they bought them twenty years ago, but the quality 
is better now than it was back in 1969 when they bought them. 
Once again, they put in stainless steel and cold fermentation, 
oak, and lots of chilling capacity in both places. 

Multinationals have changed their approach over the years. 
It used to be that a multinational did business in a foreign 
country with one of their own nationals there running it. Now 
when you look around, things have changed so much that you have 
Americans running the American company, and you have French 
running the French company. I think they've learned to push 
things down. Also, multinationals have become so big. Nestle is 
$25 billion; they have to give some autonomy to people in the 


Teiser: Did Nestle send people here? 

Maher: Oh, we used to have visitors. They were very interested, and they 
would send people out to look at your production facilities. And 
they provided an awful lot of expertise. They've been building 
facilities all over the world. We talked about selling skills 
being the same, some of the engineering and production skills to 
put something together also have some compatibility. I mean, 
you're dealing with refrigeration, heat, steam. A lot of 
expertise came out, but they left us pretty much alone, as I 
understand they're leaving Mike Moone alone. Obviously, if you do 
well, they're going to leave you alone. If somebody says, "I'm 
going to sell ten cases," and he sells eleven, getting a good 
price for it and making your profitability goals and not being 
sued by the government for compliance violations, they're going to 
leave you alone. It's when you don't perform that people get 
nervous . 

Rebuilding Beringer's Reputation 

Teiser: Somehow, quite quickly, I think, you reversed the damage that had 
been done to the reputation of Beringer. I think, as you said, 
it had fallen into low esteem when Nestle bought it, and it built 
up very steadily, did it not? 

Maher: I think it did. 
Teiser: How did you do that? 

Maher: I think you start with quality. If you can put good quality in a 
bottle, the consumer is going to find out about it sooner or 
later. There's the long term- -you start with your vineyards: 
let's make sure the viticulture practices are good. For example, 
there was a great move on to move to mechanical harvesting. We 
tested for three years. We used to pick a row by hand and pick a 
row by mechanical harvester, and then we'd ferment them separately 
and see if we could tell the difference. The first year we could, 
the second year it got closer, and the third year we couldn't tell 
the difference. 

Teiser: Is that right? 


Maher: You can do things like that. A lot of experimentation went on 
with oak: what's the right amount of oak? How do you utilize 
oak? What wines should go into that? 

The other thing is trying to determine what you're going to 
be selling. When I first came there I think there were twenty- 
three varieties of grapes in the Beringer vineyards. You needed 
to determine what people were going to be drinking in the future. 
We started gravitating towards the noble varieties- -Chardonnay, 
Cabernet Sauvignon, Sauvignon blanc--and taking out some of the 
oldthe Grignolino, French Colombard, and some of that stuff. 
During those days, Chenin Blanc was a big seller. Chenin Blanc 
was a predecessor, I think, of White Zinfandel. The American 
taste is a little sweet, and here you had something that was 
served chilled. 

Ruth, you look at what we drink: we drink forty gallons of 
soft drinks, ice cold; we drink twenty- seven gallons of beer, 
cold; we drink twenty -some -odd gallons of milk, cold; we drink 
twelve gallons of juice, cold; we drink tea, but a lot of it is 
iced tea; we drink water cold. What do we drink hot? We drink 
coffee hot, and I think until the last couple of years coffee 
consumption was going down. So America's taste is really in the 
icebox; just about everything we drink is cold. That's why the 
majority of wines that are sold are cold; America's taste is in 
the icebox. 

We also like sweet things. White Zinfandel, to me, is a 
cross between real wine and soda pop. It is cold, it is sweet, 
and I think it's wonderful. We sell a lot of White Zinfandel. I 
think White Zinfandel, nicely chilled, is delightful. It's great 
with fruit salads and things like that. I think it's important to 
have a drink like that to bring wine drinkers in. I think Chenin 
Blanc did that early, and now I think it's been replaced by White 
Zinfandel. Maybe I'm twenty-five years old and drinking my first 
glass of wine- -fifteen years ago I might have drunk Chenin Blanc, 
but now it might be White Zinfandel. So I think there are what I 
call starter wines. 

Look what Sutter Home has done. They started out just 
selling White Zinfandel, and now they're going to sell a lot more 
Chardonnay, and they're selling Sauvignon Blanc. Back to Gallo-- 
Hearty Burgundy, Chablis Blanc, and Pink Chablis brought a lot of 
people into the wine business. 

The other important thing is that while we did all these 
things to improve quality, you also need to improve the quality 


aspects that you exhibit to the consumer the packaging, the 
labeling, the promotion, the advertising. 

Teiser: What kind of promotion did you do? 

Maher: In promotion, what you're trying to do first is obviously to get 
distribution, and you want to get distribution in grocery stores 
for certain products, you want to get into restaurants for your 
reserve wines, you want to get into fine liquor stores, and you 
want to have a couple in the convenience stores so that when 
somebody comes in they can buy a bottle of, say, White Zinfandel 
or Chenin Blanc. So the promotion is several-fold. First of all 
you provide pricing incentives to the wholesaler to have the 
retailer buy it. Secondly, you put together some very interesting 
point of sale. It might just be that you win an award. In the 
early days, you might get a nice write-up, and you might run an ad 
or put it on the back of a card that says, "Award -winning wine. 
You'll love it. Robert Lawrence Balzer says, 'The best Chardonnay 
I've tasted in the last five years'." 

You have to realize that the retailer is always looking for a 
new idea. He gets so many things that have a picture of a little 
grape vine with the sun coming up or going down. If you come in 
with an interesting idea, a good program that's properly priced 
and supported with advertising, and your package is attractive, 
you can go ahead; you've enlisted an ally. It's a two-way street; 
you're helping him, because he needs to put a wine out, and he's 
helping you by giving you the business. What you need to do is 
put together a complete package to market this to him, and 
eventually to the consumer. 

Several things have happened. First of all, our technology 
is such that it's hard to find a bad bottle of California wine. 
Twenty years ago you took your chances . The other thing is that 
it is pretty hard to find ugly wine labels. I mean, you've got 
people who have made fortunes- -artists' great pastel drawings; 
label designers are making a fortune. The wine label has 
improved. You should go back and find some old wine labels from 
twenty-five years ago; it's just a contrast ugly. Packaging and 
photography have made great strides. 

Wine writers are interesting. We all know the demographics 
of the wine drinker. The more education he has, the more money he 
has, the more likely he is to be a table -wine drinker. The other 
interesting thing is the phenomenon I call psychographics- -what 
goes on in the wine drinker's head. The typical wine drinker is 
active, sophisticated, but doesn't know too much about wine. 


Therefore we've given rise to this second-party endorsement, i.e., 
the wine writer. You know, I'm starting out drinking wine, and my 
boss is coming over. I read a wine column, and he recommends a 
good white wine and a good red wine. I can be influenced by him. 
I taste some of those wines, and I gradually build my own 
confidence and go out and buy it. 

You don't see many wine writers in France, I don't think, or 
in Italy. It's an American-United Kingdom phenomenon, and they've 
been very helpful to us. You also need to make sure that they get 
the proper products and that they understand the story that you're 
trying to tell. Myron was great with wine writers. He could tell 
that wonderful, folksy story and rub that little, old, bald head 
with the crew cut and say, "Oh shit!" 

Teiser: I remember years ago an editor of a wine magazine I wrote for kept 
wanting tasting notes, and I hate to do tasting notes. He was a 
pretty successful editor, and he said, "What people want to know 
is what to drink. When they read a wine magazine, they want to be 
told what to buy." 

Maher: I think that's absolutely true. Look at the wine magazines; every 
time you turn around there's a new one. 

Teiser: Look at the Wine Spectator. 

Maher: Wonderful. It found a little niche, and it kind of crawled in and 
expanded and wiggled around. It's like putting water in a crack 
in the wintertime; it freezes and expands, creating a bigger 
niche . 

There are different types of wine writers . Wine writers now 
are getting like theater reviewers. It used to be that the wine 
writers weren't too critical of the industry, but now, if you 
produce a bad bottle of wine- -and sometimes even if you produce a 
good bottle of wine and the guy doesn't like it- -you can really 
get slammed. I can imagine if somebody gets a 62 in the Wine 
Spectator, it's tough to sell your wine. On the other hand, if 
you get a 90, whew, it flies off the shelf. 

Teiser: I remember one winemaker complained that Robert Parker never liked 
his wines, and apparently that has an effect. 

Maher: Oh, it does. I think Parker has a very definite palate, and I 

think he leans more towards Bordeaux. The only thing that bothers 
me is that as some of these wine writers become increasingly more 


powerful, they can almost dictate styles of winemakers. I don't 
know if that's happened, but I can see where it could happen. 

Teiser: I can see where Parker could swing some things. 

Maher: I hope I never have a winemaker like that, who would change a wine 
style because of a writer's criticism. I'd fire him. 

Teiser: I used to review books, and I thought that wine reviewing was a 

good deal like book reviewing, and that really you ought to state 
your bias first. 

Maher: Oh, yes. There are certain things I like, and we do a lot of 
blind tastings here. We get our senior managers and our 
winemakers around, and we do them blind. Then we rank them, and 
then we discuss them. [laughs] You can get variations all over 
the lot; you can get variations day to day. You can do the same 
thing the next day, and, if you go home and have garlic, your 
palate changes. I had a friend with a great palate who gave up 
smoking. He was no damned good for six months, because he had to 
take that little piece of gum out and put another one in and 
restock his taste inventory. 

Wines change. Taste a wine now, and then taste it an hour 
later. We're going through the fiftieth anniversary of BV right 
now, and we're tasting some old wines. They really taste one way, 
and then they move, and maybe an hour later they're gone. It's 
very interesting to taste them over time. 

Teiser: You did manage to rehabilitate Beringer and its associated 
enterprises . 

Maher: We had a very good team there. We brought some people in, and 

they worked very hard. They were dedicated to improving it. You 
had a nice parent in Nestle, who was interested in quality and 
willing to make the commitment to quality, and most of all they 
were very patient. The chairman of Nestle said to me once, "Don't 
worry about how you leave the company for your successor. Worry 
about how you leave the company for your successor's successor." 
That is truly the long view. 

Teiser: Now, that's a change from the attitude I was speaking of earlier. 
Earlier owners didn't realize that it takes time. 

Maher: Theoretically, if you had the wrong grapes in, you'd have to pull 
them all out and start again. This business is a long-term one in 
terras of the grape. We're trying to decide now what the American 


consumer is going to be drinking in the year 2000, because if he's 
going to be drinking something else, you've got to pull out the 
vineyard you've got and plant it. 


Teiser: What about phylloxera? 

Maher: It's not like the 1890s; it's not going to wipe out everything. 

Teiser: Were you at Nestle Wine World for the acquisition of Souverain? 

Maher: No, I was with Nestle at Beringer from February of 1975 until 
December of 1983. 

Wine World, Incorporated 

Teiser: Let me ask you to clarify all these names. There's Wine World, 
and there's Nestle, and C & B, and Beringer. 

Maher: Okay. The name of the company --the corporate name --is Wine World, 
Incorporated. Underneath that it has a brand called Beringer. 
C & B was Crosse & Blackwell Cellars, and that was the import arm. 
When I came in 1975, they had a whole slew of imports; they had 
wines from Italy, France, and they were selling the Paarl wines 
from South Africa. One of the first things we had to do was to 
take a look at all these products they had and determine which 
ones we wanted to keep and which ones we wanted to get rid of. 
They had big commitments in Bordeaux, and in the Western states 
they were selling the Joseph Drouhin line of burgundies, which 
were truly an outstanding wine. They were selling Beaucastel, 
which is the fine Rhone wine. Chateauneuf -du-Pape . They were 
selling Lamberti, Nino Negri, Fontana Candida. We had to sort out 
what ones we wanted to keep, and also some of the suppliers 
weren't happy with us. 

We picked some of them. One of them that we kept was a brand 
called Fontana Candida, which in 1975 sold 1,200 cases. I think 
when I left it was selling over 300,000 cases. 

Teiser: You were bringing that in under temperature control? 


Yes. It was a very delicate wine from about twenty- five miles 
outside of Rome- -just a delightful wine; just what the American 


palate liked. I guess Brown-Forman [Beverage Company] has bought 
the distribution rights for it and is selling it now, and it's 
still doing over 300,000 cases. 

Teiser: You were bringing it in under temperature control? 

Maher: Below deck. We'd make sure they were below deck, and we would put 
temperature devices in so we'd be able to read what happened to 
it. It would record all the temperatures, and you'd look at the 
thermograph and be able to tell whether it was exposed to hot 
temperatures. A lot of times the stuff would come through the 
Panama Canal, and it could be baked. So you made sure it was put 
down below the deck so it wouldn't get too hot. 

They built up quite a portfolio. Then there was another 
product called French Rabbit, which was the one I always liked. 
It had almost a Playboy -like label of a bunny on it. We sold a 
couple hundred thousand cases of that. We worked our way out of 
the Bordeaux situation by terminating contracts and selling the 
myriad cases in inventory. To me, the Bordeaux--! don't know if 
any of them make money on Bordeaux, except maybe the retailer and 
the chateau. 

The backbone of the import division, which was C & B--we 
abbreviated that from Crosse & Blackwell because there was a 
Crosse & Blackwell Food Company; we used to call it the Plum 
Pudding Company. 

Teiser: They separated, did they? 

Maher: I think if you look at some of those labels now, it says, "C & B 
Import Cellars," but that's just kind of the brand name or the 
importer name given to the Wine World products, so it was 
Beringer . 

Teiser: Does Crosse & Blackwell still make food products? 

Maher: I think it's a subsidiary of Nestle. Great quality; the jams used 
to be just outstanding. 

Seagram. 1983-1985 

Teiser: How did you happen to leave Wine World, then, and go to Seagram? 


Maher: I'd been there nine years, and an executive recruiting firm came 
along. This was right after Seagram had acquired the Coca Cola 
assets --Taylor California Cellars, Sterling, Monterey Vineyard. 
Here was an opportunity to become president of the second- largest 
winery in the world, second only to Gallo. I guess I was looking 
for another challenge, and here was an opportunity to go run a 
company that was about $350 million in sales --kind of exciting. 
Could one go ahead and put Paul Masson and Taylor California 
Cellars together? Could one do such wonderful things? 

We debated it long and hard. That job was the good news. 
The bad news was that it was located in New York City. It was an 
interesting change. My wife and I had never lived in a big city, 
we'd never lived in an apartment, and we'd always had lots of kids 
around. We moved to Manhattan, rented an apartment on the East 
Side, and left all the kids. I was back out here a lot because 
they had a facility in Gonzales , they had Paul Masson down in 
Saratoga, and they had Sterling. I spent a lot of time on an 
airplane going back and forth. It was one of those challenging 
assignments that didn't work out quite as well as you thought it 
was going to. 

Teiser: You said second- largest winery. 

Maher: Yes, when you took all the cases in its whole. 

Teiser: Was it called the Seagram Wine Group then? 

Maher: Yes. Seagram bought the Coca Cola interests before I arrived in 
the fall of 1983 and came on board; I was back there for the 
fiftieth anniversary of the repeal of Prohibition. I want to say 
December 5, 1983; I think that was fifty years to the day. 

Teiser: As I understand it, Seagram wanted to build their brands--! don't 
know if it was any one brand or not-- 

Maher: I think they were concerned about the size of what I would call 

"critical mass." They were in the wine business with Paul Masson, 
and they saw an opportunity with the Coca Cola properties to kind 
of leap-frog competition. It would probably take them ten years 
to achieve this mass if they could grow Paul Masson, but they 
could all of a sudden add whatever millions of cases Taylor 
California Cellars had, so they could really build a critical mass 
and be much more important to distributors. It also brought them 
an entry into the premium wine business with Sterling, which is an 
outstanding brand, and it got them in the Monterey Vineyards down 
on the Central Coast. They bought the New York facilities and 


brands with Taylor. Of course, Great Western and Taylor champagne 
were big, and there were a lot of desserts. 

So all of a sudden they had this critical mass , which enabled 
them to leap-frog over several of the other competitors. That was 
the challenge: how do you take all these pieces, sort them out, 
and then put them together in the best fashion? 

Teiser: Why didn't it work? 

Maher: Oh, I think several things were going on at that time. This was 
the summer of 1983, and the swing started away from jug wines 
towards fighting varietals and varietals. Secondly, they probably 
paid too much money for it; I think they paid well in excess of 
$200 million for that. There were certain social things that were 
starting to groundswell. We're seeing it right now; some people 
call it neo-prohibitionism--a groundswell against drinking. I 
think people who drink are perhaps drinking less; they're 
concerned with health and with being in good shape. It would be 
interesting to look and see what has happened to wine consumption; 
it's been down the last couple of years in a row. I think some of 
the seeds were sowed at that particular time. 

They were also a liquor company, and the wine business is a 
different business with different profit margins and problems. It 
was a tough time to buy that. They probably could have bought it 
for a lot less. Plus Gallo is a tough competitor, a very 
formidable competitor. 

Teiser: Let me ask you this about that: you have a company like Heublein, 
and I know it was having cross-currents in its management and its 
point of view during these years. Gallo may have cross-currents, 
but it certainly doesn't ever indicate that it's doing anything 
but working in unison. And it's elastic. Isn't that a tremendous 
advantage over any other large company? 

Maher: I think so. I think Gallo is kind of like an avalanche. You 

might move it and make it go a little faster, and you might slow 
it up a little or make it move a little to the left or a little to 
the right, but you're not going to stop it or turn it around. 
It's got a very sound foundation, and an excellent sales force; I 
think they have the best sales force in the wine business. 
They're dedicated; they're kind of like Rommel's panzer corps. 
They've all been through systematic training, a lot of the people 
are home-grown, and there's a continuity of purpose. Ernest and 
Julio have been running those companies sixty years. 




Teiser: Continuity of purpose is achieved when you have continuity of 

leadership which can make decisions fast. Could Nestl6 do that? 

Maher: I think Nestle has done that. 
Teiser: Can it move fast? 

Maher: Oh, sure. There's a lot of autonomy out here. I think you've got 
continuity of purpose, and you have continuity of management 
there. When you look at their senior management, they've been in 
place fourteen or fifteen years. I guess the last one to come was 
probably Bob [Robert E.] Steinhauer in 1978, so the least senior 
manager has been there twelve years. If you look at their 
continued record--! can tell you exactly how many cases they've 
sold: in 1975 they sold 351,000 cases. I don't know what they're 
selling now, but they're doing a couple of million cases. So each 
year you can track it. I think continuity of purpose and 
continuity of management are important. 

Back to Seagram during this period when you went to it, wasn't 
that the period when Mary Cunningham was there? 

She had left before I arrived there, but she had been involved in 
wine strategic planning. She had been hired as a consultant and 
had been working there. She had some input. She was one of the 
people who recommended that they buy the Coca Cola facilities 
because it would give them that critical mass. But I don't think 
she was ever involved in the day-to-day operation of the wine 
business, even before. 

Teiser: Schlem was? 

Maher: No. Paul Schlem used to own Gold Seal, a winery in upstate New 
York. He signed what I would call a performance contract with 
Seagram, and Seagram didn't make the yearly quotas. I guess it 
was cheaper for them to buy the winery than it was to pay the 
penalties. So he sold to Seagram, and he had done some consulting 
for them once upon a time, but he was not active. He owned some 
vineyards down in the Central Coast. 

Teiser: Who was calling the shots at Seagram? Or was anyone? 

Maher: Oh, yes, I was running the business, reporting to a gentleman 
named Phil [Philip E.] Beekman, who was the president of the 
company. The chairman was Edgar Bronfman, Sr. Edgar was still 
involved in certain aspects of the business- -obviously , the 
strategic path, where you were going to go. He was involved in 


the advertising and the labels. He liked to see the advertising, 
and he liked to see the labels. Generally that happens. It 
happens at Gallo; before you produce a new label, Ernest Gallo 
sees every label and approves it, and the same thing on 
advertising. Generally those are the things that are exposed to 
the outside, so you want to make sure you're not making a mistake. 

I ran the Seagram Wine Company from January of 1984 to August 
of 1985. I was responsible for the sales, marketing- -everything. 
Then they divided the company in half that summer, and I had a 
choice of staying in New York, running the sales and marketing 
side, or coming out to California and running the production side. 
I was one of the few people who knew that Carmel is only twenty - 
five miles from Gonzales, so I went to Gonzales and moved to 
Carmel. [laughter] 

Teiser: At that time did they really still think they were going to build 
up Masson and Monterey Vineyard? 

Maher: We had a strategic task force that started, I would say, in the 

spring or late winter of 1985, taking a look at the wine business. 
In my own mind I had determined that Seagram was realizing that 
they had made a mistake in buying all those properties, that they 
really didn't want to be in all that business, and that the future 
of that business wasn't that good. Because, once again, they were 
competing head to head with Gallo. It's tough. 

Teiser: There was a point of view that if they'd really put their strength 
behind the Masson label and the whole Masson operation, instead of 
letting it run down, which I guess they did, they could have 

Maher: I was gone; I had left the company in the early summer of 1986. I 
think as a result of that strategic task force they had made the 
decision to sell the lower end of the wine business. In 1985 they 
put together something called Seagram Classics, comprised of 
Sterling, Monterey Vineyard, and some of their imports- -they had 
B & G, Mumm, and some of those other imports --and they set this up 
as a separate company run by Sam Bronfman, who was Edgar's son. 
We were left with the rest of the business, which was the Paul 
Massons, the Partagers , the Taylor California Cellars, and the 
Great Westerns. In my mind of minds, I can just see that they 
were not achieving the sales and profit objectives, and I saw that 
this was something that they were going to get rid of. 

Teiser: Was there potential in Paul Masson to move it up into a quality 

Richard L. Maher, 1956, 2nd Lieutenant, United States Marine Corps, 
at Okinawa. 

Richard L. Maher, center, at Seagram Wine Company, 1984; Sam 
Bronfman, right 


Maher: I think it was always a good quality wine. It always had a good 
reputation. I think it had a better reputation than just about 
any of the other brands in that jug wine category. It would have 
taken a lot of work, but the whole category was shrinking at that 

Teiser: Could it have moved up to a premium category, I wonder? 

Maher: I don't think so. I think it could have done some things with 

varietals. Paul Masson is priced a little above Taylor California 
Cellars, and that price differential really hurt. You're trying 
to separate two brands and give them each a distinct personality, 
and one distinction was pricing. I think in that whole category, 
Navalle, Almaden, Paul Masson, and Taylor California Cellars all 
were viewed in the consumers' minds as parity. You like Almaden, 
and I like Inglenook Navalle, but you don't like them enough to 
pay another thirty or forty cents a bottle for them. 

Teiser: Masson had had a premium image much earlier. 

Maher: Great distribution. When you went to the Midwest twenty- five 
years ago, that was on every wine list. That and Lancers and 
Wente's Gray Riesling were on the wine lists across the country. 
Paul Masson, probably some time in their life when I was there, 
had a chance of going up or going down. I think they determined 
to get into what I call that great sub -premium of jug wine 
category, and they just as well could have moved up. 

Teiser: I don't know when that happened. I talked to Otto Meyer, for 
instance, and it doesn't sound as if he had that in mind. 

Maher: No. But the facility they built down in Saratoga certainly was a 
jug wine facility. 

Teiser: Monterey Vineyard did have, I suppose, the ability to-- 

Maher: Monterey was kind of a bastard child. That was a strange 

phenomenon of the early seventies. There was a farming company, 
and then there was a production company with Dick [Richard G.] 
Peterson, and then there was a marketing company that McKesson was 
involved in. 

Teiser: McKesson pulled out. 

Maher: Yes. Monterey was interesting. It was a new growing area at that 
time. They've learned a lot about how to grow grapes down there, 


and a lot of the grapes coming out of there in the early days , 
particularly the Cabernet, had a bell pepper taste because of the 
cold climate. I don't think they were the quality that everyone 
thought they were going to be. Now they're learning a lot more 
about Chardonnays coming out of that area, and 1 think they're 
making some outstanding wines along the coast. 

But Napa is a long-time grape growing area, and Monterey is 
relatively new; it's been within the last twenty years. Now 
Monterey Vineyard and Morgan [Winery] and some of those wineries 
are making some really nice wines. Chalone [Vineyard] - -some of 
the stuff coming out of there is really great. But you really 
have to learn to live with the micro-climates and the soil types. 
They've got that wind down there; the vines are all leaning one 
way. It's a cool climate. 

Teiser: In the midst of your being there in charge of those wineries, Dick 
Peterson left, didn't he? 

Maher: Yes. Dick Peterson worked with me for about a year and a half or 
so. I would say he left in the fall of '85, or maybe the spring 
of '86. He was just involved in the Monterey Vineyard, although we 
used his great technical knowledge throughout. 

Teiser: So you had to find someone else? 

Maher: Yes. I found a man by the name of Gary Gott, a good man. I'd 
heard about him, and I interviewed him. Then I gave him to Sam 
Bronfman, and Sam was the man who made the hire. I knew his 
father; his father was Jim Gott, who was in charge of the North 
Coast for Heublein. Jim was a production man, retired from 
Heublein, who was very knowledgeable and ran the production side 
of Inglenook. 

Teiser: You must know everyone in the California wine industry. 

Maher: I hope so. [laughter] 

Teiser: This brings us up to your present position. 


[Interview 2: April 5, 1991 ]//// 

Teiser: I'll begin by asking you about coming to Christian Brothers. Why 
did they need you? What had happened to them so suddenly? 

Maher: The Christian Brothers were undergoing a transformation. In 1983, 
after losing share in both the brandy and wine business, they 
bought back their distribution company, Fromm & Sichel. Prior to 
1983, Fromm & Sichel had been owned by Seagram, with the majority 
interest, and Alfred Fromm, the great pioneer who really was 
instrumental in building Christian Brothers brands throughout the 
country. In 1983, the Brothers bought the business back so they 
could go ahead and control their destiny. I think they took a 
look around and saw that in some ways the spirits business and the 
wine business had kind of passed them by. They set up Fromm & 
Sichel over in Santa Rosa, having moved it from the Wine Museum on 
Beach Street in San Francisco. 

The man they had hired to run the business had left. I had 
had a long association with the Christian Brothers since 1975, as 
all five of our children had gone at one time or another to Justin 
Siena High School down in Napa. My wife and I had been active in 
these associations and all the activities that go with a Catholic 
school. They have low tuitions, but they have a fund raiser every 
month. I had spent a lot of time with Brother Gary York when he 
had gone from the school side of the business into the winery 
side. He had taught our children, and when he came into the wine 
business I spent a lot of time with him. In a situation like 
that, you get to know all the brothers. Of course I knew Brother 
Timothy [Diener] and some of the other brothers. The brothers 
rotate back and forth; some of them go in the winery, then they go 
back to teaching in the various schools, and then they would go to 


St. Mary's [college]. So I knew a good cross section of the 
brothers at all levels --the middle levels and the top levels. 

We had kind of a long courtship. I think it was almost a 
four- or five -month courtship. They were asking me what I thought 
of the business, and I was asking what their expectations were. 

Teiser: Were you analyzing their problems as you-- 

Maher: I think as you interview any company you always need to understand 
what their problems are and what their expectations are. 
Sometimes if the problems are too great and the expectations are 
too high, and you don't have the tools to solve it, it can be a 
no-win situation. 

Teiser: How large a factor was Alfred Fromm's retirement? 

Maher: Alfred Fromm's retirement didn't have anything to do at least with 
my coming to work for them. 

Teiser: But with their decline? 

Maher: I don't know what the reasons were for the decline. The spirits 
business had changed tremendously. Christian Brothers brandy had 
been unchallenged for a number of years, and then Gallo started 
up. Gallo had several false starts in the business, and I think 
at one time they even had a brandy called Eden Roc, which was a 
brand they had used for a lot of things. I think it's just that 
you have to realize that in the wine business there is probably no 
more formidable competitor than the Gallo Winery. I think Gallo 's 
strategy was brilliant. They priced it just a little less than 
Christian Brothers, they came out with a package and labeling that 
were far superior to Christian Brothers. First of all, it wasn't 
even a race; it was kind of like the tortoise and the hare. 
Eventually Gallo became a dominant factor in the business, they 
were so strong with their execution. I think the Gallo 
distributors are among the best distributors in just about any 
market in which you go. 

And the wine business had also changed. The Christian 
Brothers had been a factor in the medium-priced wines and some of 
the flavored wines. In the seventies and eighties, the wine 
business was changing; there was a move away from burgundy and 
chablis to the varietals. Although the Christian Brothers had the 
largest holdings of vineyards in the Napa Valley, they had not 
really taken advantage of that. 


Teiser: How big a factor was their decision not to vintage-date their 

Maher: I think that was part of the problem, but there were probably a 
whole bunch of other problems rolled into that. Christian 
Brothers, perhaps, didn't change, but the rest of the industry 
changed. All of a sudden people were running a little faster. 
Whenever you're a market leader, and sometimes when you're 
involved with the church, there can be a certain amount of 

Teiser: So you decided to come in? 

Maher: We decided to come back to the valley. It was a nice homecoming, 
obviously, because we had not sold our home. It was a very easy 
move; we just took the clothes out of one closet down in Carmel, 
put them in the back of the jeep, drove up here, and hung them up 
in the same closet we had left two and a half years ago. 

Teiser: Do you have a vineyard here? 

Maher: Yes, my wife has a small vineyard called, funny enough, Marcia's 
Vineyard. She has sold to such wineries as Duckhorn and San 
Clement, and she's now selling to Caymus . It's a small parcel of 
excellent Cabernet. That's how I keep in touch with the 
Indus try --be ing married to a grower. [laughter] 

Teiser: I should think this would have been too small a challenge for you. 

Maher: Oh, I don't think it was too small a challenge. Here was one of 
the great labels in California wine history having some rocky 
times, and here was an opportunity to come in and not just turn 
the marketing side around, but go ahead and participate in the 
next step, whatever that was going to be, with the Brothers. It 
was an opportunity to get in both the wine business and the 
spirits business, and there was a chance to do a rebuilding job. 
I think those are always the most challenging opportunities that 
you have . 

It turned out to be very challenging. Part way through the 
tenure we started having some discussions with the Brothers, and I 
had recommended to them that they should take a look at what I 
call "return on investment." They were making money in the wine 
and brandy business, but they had assets that they had bought a 
long time ago that were worth a lot of money; the market value was 
a lot more than the book value . They had bought vineyard land at 
three to four hundred dollars an acre, and in some cases it could 


be worth fifteen to twenty thousand dollars [an acre]. 
to make quite a return on that. 

You have 

During this whole period, talking with the Brothers and what 
they wanted to do- -you have to realize that the Brothers were not 
primarily in the wine and spirits business; they were in the 
education business. They have a particular affinity for teaching 
the underprivileged, as evidenced by their schools: they have a 
school in Los Angeles that is, I think, 99 percent Hispanic; they 
have a high school in Berkeley that is predominantly Afro- 
American; they have a trade school down in Tijuana, Mexico, where 
they have students from fifteen to sixty- five years old, about 
1,200 per semester, and they teach them a trade. So they're very 
much interested in education. 

They kind of stumbled into the wine and brandy business. As 
you know, if you go back to their beginning, they made the stuff 
for their own consumption. People liked it, so the entrance into 
the beverage -alcohol business became the method by which they were 
able to foster their education needs. 1 So they were not really 
tied to the business. I think they made the right decision, [when 
they decided to sell their winery holdings] because there was 
increasingly an awful lot of consolidation going on in the 
business, particularly on the spirits side. Large companies such 
as Guiness and Hiram Walker, otherwise known as Allied Lyons, and 
our parent company, International Distillers and Vintners, which 
owned Heublein, are buying these brands and putting them together 
on a global basis. I think the Brothers made the right financial 
decision, and they probably made the right strategic decision, 
because they would have had to spend more money to compete with 
people who were far bigger than they were. 

Teiser: What was your title when you came in? 
Maher: President, Fromm & Sichel. 
Teiser: What did you do first? 

Maher: Like anything else, it's like being the doctor in the emergency 

room; you go ahead and take a look at the patient; you run various 
tests to see whether they have a broken leg or a concussion; you 
look at the resources that you have, such as penicillin or 

1 See also Brother Timothy, The Christian Brothers as Winemakers. an oral 
history interview conducted 1973, Regional Oral History Office, The Bancroft 
Library, University of California, Berkeley, 1974. 

Teiser : 

therapy; you see what you need to do, and then you take a look at 
the organization. The organization was somewhat jumbled. The 
Brothers had bought Fromm & Sichel in '83, and by now it was 1986. 
A lot of the people who had been involved with the old Fromm & 
Sichel in San Francisco had left, and there was some turnover. I 
had an opportunity to put in some of my own type of people. 
Everybody who is a president of an organization has a certain 
style and a certain set of criteria at which they look to judge 
the people they have working for them. Probably with me you'd 
have to have a short haircut and a high energy level. Here was an 
opportunity to look around the industry and hire some people that 
we thought could help solve some of the problems. 

I think it was also a question of priorities. It became 
pretty apparent, since brandy was about two- thirds of the 
profitability, that your number one priority was brandy, and 
probably the number two priority was brandy. We had to go out and 
make sure that message was put out to our sales force, our 
distribution network, and our brokers. 

The second thing was to take advantage of the opportunities 
that the Christian Brothers had by virtue of their owning almost 
1,200 acres of prime land in the Napa Valley. They were really 
not pushing the Napa Valley appellation, and they really needed 
to, because the price of grapes and the cost of production for 
producing Napa Valley Cabernets and Chardonnays and other fine 
varietals were going up. They had really not built a reputation 
for Napa Valley wines. I think the question was focusing on the 
table wines, and particularly the Napa Valley appellation. 

Those were really the two priorities of the company. And I 
guess the other thing was the people side. In addition to being 
very much interested in education, the Brothers were very 
interested in people. I would say that of all the companies with 
which I have worked, the Brothers are most concerned about 
people are people happy, are the benefits good, if you terminate 
someone, are you going be very fair? The Brothers probably erred 
on the side of being too patient with some people. 

It was a nice atmosphere. It certainly was a family- like 
atmosphere, and I guess, being an Irish Catholic, there was 
something nice about working for the Pope. [laughter] 

Did you change the direction of their wines? 

I think the direction of the quality of their wines had changed 
before I came in. They hired a very talented winemaker by the 


name of Tom [Thomas] Eddy, who had started making some excellent 
wines. I don't think I changed that much. I think anything that 
happened wherever I worked has always been a team effort. We 
decided that the wines were excellent; we did a new packaging job 
to bring the Christian Brothers into the 1980s. Our team put 
together a good programs to make sure we were changing the 
direction of the product- -moving away from just being regular 
table wine, burgundy and chablis, to vintage-dated Napa Valley 
varietals. I have to say that the quality of the wines was 
excellent, and I think the quality of the marketing and public 
relations effort that went into the new thrust was outstanding. 

Teiser: You did some advertising. 

Maher: Yes, and the Napa Valley wines really started growing. I think we 
were on the right track to bigger and better success. Christian 
Brothers has always been a very successful brand. I think just 
about any brand goes through a series of growth spurts, and then 
you slump off and dip a little. I think we were starting to turn 
the business around when the Brothers made what I call their long- 
term strategic decision to get out of the business. 

Teiser: Did you anticipate, when you were working with them, that they 
might be bought? 

Maher: After about six months, I believe my wife and I had a conversation 
about, "What if--?" Here was a tremendous amount of assets, and 
marketing conditions were changing. We always had some question 
whether Christian Brothers would be in the business long term. On 
the other hand, the Catholic Church is a very persistent foe, if 
you're on the other side, or a very persistent and loyal friend. 
You never really think of it. From time to time you might have a 
thought that crosses your mind, but usually what happens is that 
you're so busy in the heat of the marketing battle that you really 
don't have time to think about that. 

Our style of management was to go ahead and do a long-term 
plan. Once you start laying out a long-term plan and looking at 
the market value of the assets, you could see that the Brothers, 
perhaps, could be a lot better off if they could go ahead and sell 
the business. 

Teiser: If you had anticipated a sale, you would have been working on the 
short range, wouldn't you, and it would have been quite different? 

Maher: I don't know. I'm not so sure you would have. A good part of the 
activities of the team that came in in 1986 and 1987 really 


enhanced the image of Christian Brothers. I think by virtue of 
the efforts this group of people put forth, the Brothers probably 
got a lot more money for selling the business than they would have 
if they had continued without these efforts. The brandy and wine 
labels were updated, there was a dynamic organization, there was 
an import business that started up that had some great potential. 
The Brothers could have stayed in the business; they weren't 
forced to sell. But I think they made the right choice. 

Teiser: Do you think that Heublein had had its eye on this business for a 
long time, or was their attention drawn by your coming? 

Maher: I don't think any of the people who bid for the Christian Brothers 
ever thought it was going to be for sale. Once again, the Church 
has a very interesting and long-term reputation. Once the word 
came out, through the investment banking firm Hambrecht and Quist, 
Inc., that Christian Brothers brand might be for sale, an awful 
lot of people were interested. There are not that many brands in 
America that sell over a million cases--! think at last count 
there were about forty and here was one that was up for sale. 
For a company with a global perspective such as Heublein, this 
certainly would be a very challenging plum. 

You also have to realize that it filled a void in their 
portfolio. There really are only two brandy brands in the United 
States- -E&J, which is owned by Ernest and Julio over in Modesto, 
and the Christian Brothers. So here was an opportunity for 
Heublein and other competitors in the spirits side of the business 
to make an acquisition that was good strategically, helped fill a 
void, and also blocked out a competitor. Obviously, if you buy 
the Christian Brothers brand and one of your major competitors, 
such as Hiram Walker, doesn't, you have a decided leg up. 

Grevstone Cellars 


Maher : 

Before Heublein came in, you had reopened Greystone. 
value of Greystone? 

What's the 

I don't know what the value of Greystone is. I think an awful lot 
of it is probably its sentimental and historical value. Greystone 
brings some very interesting things to the party and also to the 
community. It's important to realize that Greystone, to me and 
others, is always one northern anchor of St. Helena. If you are 
coming south on Route 29, it's the first thing you see, and if 


you're going north, it's the last thing you see. Greystone is a 
fully -licensed winery, and it can produce hundreds of thousands of 
cases. It used to be a winery, and until 1984 Christian Brothers 
made and bottled its champagne up there. Also I think it is a 
symbol of the Christian Brothers. 

I think it is one of the great symbols in the Napa Valley. 
Just about anywhere you go in the world people have heard of it, 
and a lot of them, particularly those in the wine business, have 
seen it. We get in excess of a quarter of a million tourists 
going through there every year. There are probably more pictures 
taken of that facility than of any other facility. I would say 
the two most photogenic wineries in Napa Valley are Beringer's 
Rhine House and Christian Brothers Greystone. 

Teiser: Could it be used again for winemaking? 

Maher: I think so. We just announced about ten days ago that Greystone 
is on the market. We're utilizing less than one- sixth of it, so 
we are working with outside marketing people to go ahead and sell 
that. We'll certainly find out whether somebody is interested in 
it. If some small winery, say somebody who wants to become a 
major factor in the wine business and has a lot of money, would 
like to make a statement, they can certainly come in and buy that 
facility. I mean, that gets you headlines everywhere in the 

Teiser: It has a gravity flow structure, does it? 

Maher: It does. It's typical of many of the wineries built in the late 

1800s, prior to electricity. The grapes came in the top, and they 
worked their way all the way down to the bottom. Then they went 
away, I suppose in those days in horse-drawn wagons, and later in 
primitive trucks. 

Quail Ridee 

Teiser: One of the other things you did, then, before Heublein came in, 
was to buy Quail Ridge. How did you happen to do that? 

Maher: Quail Ridge is one of those great little things. I think 

sometimes in this business it's better to be lucky than good. 
George Vare, who is a well-known man in the wine business, called 
me one day and said, "I've got this great little property." He 


explained it to me, and it really sounded interesting. We ran out 
and picked up a few bottles of wine, and I went to my team and 
said, "What do you think about this?" We thought it was really 
great. One of the things about Christian Brothers was that while 
it certainly had a great reputation, its reputation isn't--! 
wouldn't say clouded, but is in several areas. It's in table 
wine, brandy, and dessert wine. Here was a little boutique that 
just made some wonderful wines selling at very high prices and 
with a wonderful quality reputation. Here was something that 
could really enhance us to get distribution in the restaurants. 

George Vare and I talked back and forth, we looked at the 
price, we did some quick calculation, and we figured that the 
assets were worth more than the asking price. So I called up the 
board of directors and told them that I had bought a winery. They 
said, "You can't do that; you need our approval." I said, "Wait 
till you see it; you'll love it." We had a meeting, and they 
loved it. I think that was a very good acquisition. It fit in 
well with our portfolio, and it's fitting in very well along with 
Inglenook Napa Valley and Beaulieu. 

Teiser: Is it on the same quality level as your Niebaum Collection label? 

Maher: I think it's on the same quality level, although a little 

different. The Gustave Niebaum Collection, which was named after 
the founder of Inglenook, is essentially single -vineyard wines. 
We go to what we think are some of the best vineyard properties, 
and we just take the grapes off them. The individual wines are 
made entirely from the grapes coming from "single vineyards," so 
the concept is different. 

Teiser: You had several offers or mentions of interests from others? 

Maher: That is correct. Why don't I just briefly describe the process by 
which the Brothers went? The Brothers had a very interesting 
outside board. The Catholic Church is a great believer in 
teamwork, and they had put together a board that among others 
consisted of myself; Brother David Brennan, who was the chairman 
of the Christian Brothers winery; a past president of Safeway; a 
past president of Lucky; one of the executive vice presidents of 
Bank of America; the chairman of the board of the big trucking 
company, Consolidated Freightways. So we had very active, 
energetic, and bright board. 

Teiser: Was that newly created? 
Maher: Yes. 

Teiser : 
Maher : 

One thing we didn't touch upon is that we fully integrated 
Fromm & Sichel into the Christian Brothers winery. The formal 
name of the Christian Brothers winery was Mont La Salle Vineyards . 
When I came in 1986, Fromm & Sichel was located over in Santa 
Rosa, and the winery was located down on Redwood Road in Napa, the 
big property that the Brothers have there. The rest of the 
facility was up here. We quickly made the decision that it made 
sense to put everybody together. 

There were certainly efficiencies of scale. Mont La Salle 
had three people in the accounting department who were taking 
little pieces of paper and aiming them at Fromm & Sichel, and we 
had three people at Fromm & Sichel who were catching these little 
pieces of paper and sending them back to the same three people. 
So we were able to do some consolidation and some efficiencies. 

At the same time, this office building [at the south end of 
St. Helena] , which I think is an outstanding office building, was 
under construction. For a while we looked at putting Fromm & 
Sichel up at Greystone, and then we quickly determined that we 
could put everybody on the same campus down here. We modified one 
other building for the financial department and moved them down to 
another building. So for the first time in the history of the 
Christian Brothers, we had all the players on the same campus and 
just about in the same building. It certainly made communications 
and decision-making a lot easier. Over in Santa Rosa, that's a 
whole other world, because you have to go across the mountains. 
While you have the computer and the fax and everything else, 
there's nothing better than a face -to -face meeting. 

Were some functions still up on Redwood Road? 

No. Everything was consolidated down here. This building in 
which we are today was opened January 19, 1987, so I commuted for 
six months to Santa Rosa. Then my commute shrank to four miles, 
and just about everyone else's commute grew, because a lot of them 
lived in Santa Rosa. 

One of the other things that you should be interested in was 
that at about the same time we made a decision that the future of 
the table wines certainly lay in the Napa Valley varietals. We 
started taking a look at these wonderful expansive vineyards that 
the Brothers had and started quickly making plans to upgrade them. 
We started planting some of the grapes which you passed this 
morning. Cabernets- -the soil and climate here, right around the 
winery, make great Cabernets. So we started planting an awful lot 


Teiser: I'm looking at a copy of the Wine Spectator for November 15, 1988. 
It illustartes an article titled, "Who Owns Napa Valley?" You 
are quoted in it as saying, "He who controls the grape controls 
the future . " 

Maher: I think so. A good chunk of the vineyard properties in the Napa 
Valley are controlled by some of the leading premium wineries, as 
evidenced by the picture on the front. You have Robert Mondavi, 
Mike Moone from the Nestle enterprises, Peter Mondavi from Charles 
Krug, John Wright from [Domaine] Chandon, Brother David Brennan 
from Christian Brothers, Sam Bronfman of Seagram, Tom Selfridge of 
Beaulieu. These are people who come from well-established 
companies, understand quality, and understand the importance of 
supply. I think there has been consolidation in the wine business 
in terms of the companies, there has been consolidation in the 
spirits business, and I think there's going to be more 
consolidation in the ownership of the land, because land is very 
important to quality. 

The Napa Valley has a limited supply of land. Right now we 
probably have 32,000 acres under production. Last year's harvest 
was very small; it's only 114,000 tons, and that's about 5 percent 
of the total tonnage of wine crushed in the California. But when 
you look at the dollar value, my guess is that it is 16 or 17 
percent. So the grapes we raise up here are very expensive 
grapes, the perceived quality is outstanding, and the consumers 
apparently are willing to go ahead and pay a premium for Napa 
Valley wines to get the quality and the image that they think 
these wines deliver. 

Teiser: This picture was taken about two and a half years ago. If it were 
taken today, would there be a different lineup? You'd be there. 


of vineyards. There's a large vineyard parcel up in Calistoga, 
and we built a great big reservoir. So we were really starting to 
take the steps to improve the quality of the wines and also 
improve the yield in the vineyards . 

We had some old varieties, such as French Colombard, Camay, 
and other varieties like that, which certainly didn't have the 
consumer's interest like Chardonnay, Cabernet, and Merlot do. We 
started planting what I call the noble varieties during that 
period from 1987 to 1988, prior to the acquisition by Heublein. 


Maher: There would be two different faces. Mike Moone would not be 
there, but Walt Klenz would be there. Mike, after doing an 
outstanding job at Beringer, has gone on to run Stauffer Foods, 
and Walter Klenz has taken over as president of Wine World 
Estates. Brother David has departed from the industry by selling 
out, and Tom Self ridge is now working for Kendall -Jackson. I 
guess my face would be in there, so I guess in total there would 
be six faces rather than seven. Mr. Bronfman, Robert, and his 
brother, Peter, are still there, and so is John Wright. 

Teiser: This was an interesting issue. They broke the acreage down 
differently; they broke it down between owned and controlled. 
Christian Brothers had 1,210 acres both owned and controlled; 
Robert Mondavi had more- -2, 200. Now how does it stack up? 

Maher: I think you have to take Tom Self ridge's little lineup and add 

Christian Brothers to that. We are essentially that total, less 
one piece of vineyard we just sold off. 

Teiser: How much do you have left now? 

Maher: Whatever that total was less 106 acres or something like that. 

Teiser: Which vineyard was that? 

Maher: That's a vineyard on Zinfandel Lane. I think all the people in 
that picture who are still in the industry are going through a 
very interesting metamorphosis right now. We're trying to 
determine what people are going to be drinking in the year 2000 
and beyond. When you recycle a vineyard, it generally is out of 
production for the first year when you're pulling it out; you 
fumigate, you're deep -ripping the land. 

Maher: Right now, in 1991, we're making decisions that are going to 

impact what we, the Napa Valley wine industry, are going to be 
selling in the year 2000 and beyond. It's tough. We are 
certainly gravitating towards the noble varieties- -Merlot, 
Cabernet, Sauvignon, Chardonnay, Sauvignon blanc--and some of the 
more exotic varieties Petit Verdot. Some of the old, long-time 
varieties --it's very tough to find Petite Sirah up here, and 
French Colombard is gone, Camay is going. In the south, you're 
seeing a lot of Pinot noir going into the champagne business. 


When I came to Beringer in 1975, they had twenty-three or 
twenty- four varieties planted in the Napa Valley, and I suspect 
they're maybe down to eight now. Probably fifty years from now 
they'll be down to six or seven, as we will. When vineyard 
property is going for thirty or forty thousand dollars [per acre], 
you can't afford to raise a variety that's going to bring you four 
to five hundred dollars per ton in revenue. I think the Cabernet 
price last year was $1,600, and Chardonnay was about the same. 


Teiser: What about phylloxera? Do you feel confident of conquering it in 
the long run? 

Maher: I think this strain B phylloxera in some ways is going to turn out 
to be a good thing for the wine consumer. It might be a little 
bit of a painful rash on the wine industry. We're being forced to 
recycle our vineyards earlier. Generally a vineyard has an 
estimated life- -it depends on what people planted. For some of 
the people who planted Chenin blanc in the 1970s, probably the 
economic life is a lot less. If you didn't graft it over, you're 
probably going to pull it out and put in Cabernet or Merlot. 
We're forced to recycle these vineyards earlier, and we're putting 
new clones in. Instead of putting A x R //I, we're going to 
St. George and other rootstocks; we're using new clones and new 
varieties; we're doing different things with spacing; we're doing 
different things in how we trellis, which leads to better canopy 
management. I think we're going to be raising better grapes 
sooner. Obviously the impact is a financial one, so you need to 
move your investment capital forward. 

I think we know an awful lot about phylloxera. It is not a 
threat to the wine quality. Phylloxera has been around; I think 
it was first discovered in the early 1880s. We've been working 
with that. I also think the weather has dealt us a bad card. Up 
until this year we have had four drought years in a row, and I 
think the fact that the vines have been distressed made them 
susceptible not just to phylloxera, but to some other diseases and 
insects. Also I think the cracks in the land that have developed 
as a result of the drought have allowed the little bugs to 
migrate. Hopefully, this year with the rain- -we've had some 
seventeen inches during last month- -will slow down the phylloxera. 


I think we're learning a lot more about how it is spread. 
Some people say it was spread by the floods in 1986 that we had on 
the St. Valentine's Day weekend. A minority think it is airborne. 
A lot of people think it is transferred by equipment; that when 
somebody comes in to deep -rip your property or dig trenches for 
irrigation or move dirt to build a reservoir, it has been 
transferred that way. I think we're taking precautions. We're 
steam-cleaning equipment now when we move it from vineyard to 
vineyard. In some places we just keep a wash pad; if you have a 
big enough vineyard, you let the equipment be indigenous to that 
property and not move it. We're certainly learning to heed some 
of the early warning signs that showed up. The French have felt 
for a long time that A x R was not right. Once again, I think 
Davis and Fresno State will certainly help us to work our way out 
of this quandary. 



Teiser: Is your group, Heublein Fine Wine Group, now the dominant factor 
in the valley? 

Maher: I don't think anybody will ever be the dominant factor in the 
valley. We are a large factor, and it's nice being up here 
because you're dealing with such friendly competitors- -some of the 
same competitors who were on the cover of the Wine Spectator. In 
terms of volume, Sutter Home is a large volume producer; Nestle is 
a large quality producer, and Robert Mondavi. We are a factor in 
there, and it's a very friendly competition. We compete in the 
marketplace and sit around industry meetings and try and do all 
the things we have to do to promote Napa. 

One of the things I'd like to say is that I've never seen an 
industry that competes as intensely as the wine business yet works 
together so much. I think that's been evidenced by what I call 
the miracles that have been wrought by the Wine Institute, under 
the capable leadership of John De Luca, and the Napa Valley 
Vintners, our trade association of 110 members now. We might be 
killing each other to get on a wine list in a prime restaurant in 
San Francisco, but we'll sit down and discuss things that are 
going to move the industry forward, and not just on the political 
side, but also on the marketing and quality side. 

Teiser: It was said when Heublein bought Christian Brothers in 1989 that 
the four wineries would be consolidated and would lose their 
individual characters. Have you taken steps to prevent that? Or 
what is your attitude towards that? 

Maher: Why don't we talk about the source of some of those rumors? Any 

time a brand that's been as revered as Christian Brothers is taken 
over, there is some interest in it. This world of ours seems to 




thrive more on the bad side of news than on the good side of news. 
I also think "big" sometime is perceived as "bad." People look at 
a company the size the Heublein and say, "Because it's big, it's 
bad." They also look at Heublein being in the spirits business 
and say, "Spirits and wine aren't compatible." 

It's interesting that Heublein had owned Inglenook Napa 
Valley and Beaulieu since the late 1960s. The wines that have 
been made since then I think have been better than they were made 
before that. One of the nice things about having a big company- - 
and I think this is evidenced by Seagram being behind Sterling and 
Napa Mumm, Nestl6 being behind Beringer--is that they give you the 
opportunity to go ahead and improve quality. They have the 
resources so that you can improve your vineyards, buy the various 
types of oak with which you need to compete this year. So I think 
"big" can be a wonderful asset in this. 

In answer to your question, after kind of a long lead-in, we 
have taken very definite steps to insure that the quality and the 
individual character of each winery remain the same. Each of our 
wineries has a winemaker. We have a separate winemaker for Quail 
Ridge in the form of Elaine Wellesley, who is one of the founders 
and a very talented and charming lady. We have Joel Aiken, who is 
winemaker at Beaulieu, and we have John Williams at Christian 
Brothers, who was the assistant to Tom Eddy. Over all here at 
St. Helena we have John Richburg, who has been with Inglenook for 
seventeen years. We have Judy Matulich-Weitz, who is winemaker 
for Gustave Niebaum and Inglenook. 

So we have individual winemakers for each one of those 
individual brands , and then we have a very dynamic and talented 
man by the name of Anthony Bell, who is the vice president of 
operations. Anthony grew up in a wine family in South Africa, 
went to school down there , came up and went to UC Davis , and has 
been with Beaulieu for eleven or twelve years. He's in charge of 
all the winemaking and all the other activities that go into the 
production side. I think the wines we've made the last couple of 
years are outstanding, and they'll continue that way. 


What about the sources for each of them? 
or do you shuffle the grapes around? 

Are they kept separate , 

One of the nice things about being able to have such a holding of 
vineyards is that you'd go ahead and match your vineyards up with 
the needs of the winery. So each winemaker is very much involved 

Allen Nirenstein, vice president, sales (left), and Richard L, 
Maher, at Fromm & Sichel, 1986. 

"Official picture" of Richard L. Maher, president of Heublein Fine 
Wine, at his desk, 1991. 


in the care and feeding of his vineyards. We do long-range 
forecasts, so we know where the grapes for the 1991 harvest will 
be going in terms of the individual brands. Obviously you keep 
separate those vineyards like BV1 and BV2 that have always been 
involved in the private reserve of BV; those grapes will continue 
to be grown there. 

As I said, each winemaker is deeply involved in the care and 
feeding of his vineyards. He's out there giving instructions as 
to how it is pruned and how the canopy is managed. He's also 
involved either directly or through contacts with the growers as 
to how they grow, because we have long-term contracts with an 
awful lot of growers and are deeply involved in working with them 
on their viticulture techniques. We actually prescribe to them 
how we want it pruned, how we want this, how we want that. So 
we're deeply involved not just in our own vineyards, but also with 
the growers that we have in our family. 

We have an opportunity to really influence the quality of the 
grapes coming out of the vineyard, and that's where quality really 
starts. You can make good wine out of good grapes, but you cannot 
make good wine out of bad grapes . So we spend an awful lot of 
time working with our vineyards to ensure that we get the type of 
grape that we want . 

Within the individual wineries, I think it's much like a 
chef. You can take five chefs to the store, and they can all buy 
the exact same cuts of meats, the same vegetables, and all that. 
When they go into their individual kitchens, one of them adds a 
pinch of salt here, one uses a little rosemary here, and somebody 
uses some thyme . The product can be very, very different, and I 
think the same thing is true with winemakers. They each have 
their own style. I don't say they have a recipe, but they each 
have a philosophy that they've kind of adopted and what the 
character of the wines will be. Obviously the character of BV 
Private Reserve with American oak is very different from how we 
utilize Cabernet for Quail Ridge, which uses French oak. 

So we have all these nuances that go into the wine. We do 
not see the character or the personalities of our individual wines 
changing at all. Obviously there's going to be some change from 
year to year due to rainfall and climatic conditions- -the amount 
of heat that you have. But we have very distinct personalities 
for our individual brands. When you have a blind tasting, these 
characteristics emerge. 

Teiser: Are these competing brands? 


Maher: I think there are a certain number of our brands that do compete. 
Certainly when you go in to write a wine list, if you have one 
Cabernet, which do you pick out? Hopefully you'll pick out BV 
Private Reserve- -Georges de Latour Private Reserve. But if you 
have a chance for three, you might pick out Quail Ridge, Inglenook 
Cask, and BV Beautour. So I think there's always some 

Teiser: Does that make a problem for your sales staff? 

Maher: I don't know whether it makes a problem or not. It gives them an 
opportunity to go out and get a few more wine lists. There should 
not be a wine list written in America that doesn't have one of our 
wines on it, because we have a full range. We range from BV 
champagne to our Carneros Reserve Chardonnay; if you need a White 
Zinfandel, we have it in Rutherford Estate Cellars or Christian 
Brothers . So we have a full range of Napa Valley wines . We have 
perhaps the broadest spectrum of anybody here in the Napa Valley. 

You ask if it poses a problem, and yes, I suppose it is kind 
of an embarrassment of riches . Those are the kinds of problems I 
like to have. 

Teiser: It sounds like trying to juggle a lot of balls in the air at the 
same time. 

Maher: Well, it's like children. We have five children, and each one is 
very different. You love them for what they are. They have 
different personalities, they look different, they act different. 
I think wines are the same way, and you love them all the same. 

Teiser: You said you had sold 106 acres, and I think you closed the 
Oakville facility. 

Maher: I don't know how much of this facility here in St. Helena you've 
seen, but it's a very up-to-date and large facility. What we had 
down at Oakville was a facility that was somewhat redundant. Half 
of it, the white winemaking facilities, had been upgraded at the 
expense of three to four million dollars a number of years ago. 
But the red wine facility needed to be upgraded. Essentially, 
what we did was to close down the Oakville facility, and it is now 
for sale. That was just a production facility, just fermenting 
and storage. We did not bottle there. We used to move the wine 
over to Inglenook chateau and put it in the barrel building there. 
Then we would move it another place to go ahead and bottle it. 


Now we have moved a lot of the redwood tanks that used to be 
used to make Inglenook reds up to Building 20 here. The grapes 
come up here, we crush them, and John Richburg is the chef of the 
caves. He follows those grapes all the way through. Some of the 
taste characteristics of Inglenook come from the redwood, and 
we're still using redwood. We took it apart and reassembled it up 
here. And we have a high-speed, high-quality bottling line here, 
and Inglenook' s being bottled here. 

Teiser: When you came to Christian Brothers was this still being used as a 
champagne cellar? 

Maher: You have to realize that champagne, up until 1984, was up at 
Greystone. By then champagne was a smaller part of the total 
Christian Brothers mix. This was built as a premium table wine 

Teiser: Didn't they make a bulk champagne? 

Maher: Yes, Channat. We made some fermented- in- the -bottle champagne 
during that brief period of time between 1986 and the sale in 

Teiser: Before that, though, I thought there was a winery built here that 
had an unusual circular construction for Charmat champagne. 

Maher: No, essentially it was for premium table wines. 
Teiser: And you have revised and revised? 

Maher: Oh, we have added on the cooperage, we've added an awful lot of 
small cooperage, we've bought an awful lot of oak, we've redone 
our barrel room, and we have a very large and modern air- 
conditioned building where we not only age our wines in wood, but 
we also do a lot of barrel fermentation for our Chardonnays . 


Teiser: Do you have any special plans for the immediate future? 

Maher: I guess your plans are always both long term and short term. Both 
short term and long term you want to continue to make those high- 
quality wines that these brands, and certainly the Napa Valley, 
have been famous for. We want to keep their individual 


personalities, and I think we'd just like to go ahead and show all 
those people who were taking potshots at us a couple of years ago 
that the wine quality is going to go ahead and continue. We're 
obviously interested in enhancing the brands that we have, and I 
should think you would enhance them by good sound sales and 
marketing and certainly by continuing the quality and public 

We want to continue to be deeply involved in the community. 
I think it's very interesting that our three major brands, 
Christian Brothers, Beaulieu, and Inglenook, have been anchors 
here in the valley, and we participate in a lot of events. The 
Greys tone facility and Inglenook are particularly being used, I 
would say, at least once a week for some community affair. The 
"Great Chefs" are doing some work up there, we're raising 
something for the schools, we have something for cystic fibrosis, 
and we're deeply involved with the [Napa Valley] wine auction. We 
feel a deep obligation to the community because we're a large 
employer here. All our vineyards that we own are right here in 
the valley, and a lot of our employees live here in the valley, so 
we feel a commitment to the community. We want to continue to be 
a very positive factor in the community. 

And we're obviously interested in profit. We're all in 
business to make money. I think if you can go ahead and continue 
to make the type of wines that we make and our competition forces 
us to make them, because there are some wonderful wines out there, 
and you can't sit still on that. I think we're trying to sort out 
where the wine business is going to be in ten years. That's part 
of our job. What varieties? The Rhone varieties? Should we be 
looking at some of the Italian varieties? I think we're probably 
much more traditional and much more down the middle of the 
fairway, certainly with Inglenook and BV. 

Just because we have a number of brands, it doesn't say that 
we can't have a new brand. Our wine industry is constantly 
changing. We look at all the phenomena that we've had over the 
last twenty- five years: we've had the pop wines, sangria, 
coolers, Lambrusco. It seem to me that mainstream America is now 
focusing on that wonderful thing called varietals. It used to be, 
"Give me a glass of chablis," in the 1970s and early 1980s. Now 
it's, "What Chardonnays do you have?" and you can order two or 
three Chardonnays by the glass . I think we as a country are 
making wonderful progress in appreciating wines- -not fast enough; 
I'd like to see them accelerate their understanding of wine. I 
think wine is inherently linked with the good life. To me, one of 


the nicest ways to spend time and money is to have a good meal 
with good friends and have good wine. 

Teiser: When you sell Greystone, will you realign your tasting rooms, or 
will you keep them separate? 

Maher: I think we would always continue to keep our tasting rooms 

separate. What we'd like to do is lease back that portion of 
Greystone that we're currently using. Right now we're utilizing 
about one -sixth of it. You have to realize that that is a huge 
building; it's 110,000 square feet, and we rattle around in that. 

Speaking of tasting rooms, we have just opened up a founder's 
room down at Beaulieu. If you want to, you can go over and walk 
in and taste some of the older vintages of BV. 

Teiser: You had that at Beringer, didn't you? 

Maher: Yes, they opened a founder's room at Beringer after I left. The 
Napa Valley is one of the great attractions in America, and I 
think it's an opportunity that you can get someone to come into 
essentially your house, and you have them for half an hour to 
forty-five minutes. If you can't convince them that you're making 
good wines, it's your fault; it's not their fault. 



The Wine institute 

Teiser: I should ask you about the various industry organizations. 
You've mentioned the Wine Institute, and I know you were 
chairman in 1983 and '84. Did you have some particular goals? 

Maher: I think when you go into an organization you start out just 
trying to learn what the organization is all about. 

Teiser: Had you been on the board before? 

Maher: Yes, I had. As you know, going through the Wine Institute is a 
series of chairs. You start out at the lower level, and I guess 
it takes five or six years to work your way through. One of the 
great strengths of the Wine Institute is that I don't think 
they've ever made a serious error. You have people from small 
wineries and from large wineries who get together and discuss 
very complex and very controversial subjects. I've never seen 
the executive committee of the Wine Institute make an error. I 
think if other industries could work together as well as ours 
does, it would be a better business environment throughout 

Teiser: They're restructuring the board now, I believe. 

Maher: They are restructuring the board now, but I think you have to 

realize that the industry has changed. We talked earlier about 
how a glass of chablis is now a glass of Chardonnay. When you 
look at the dollar value of the grapes, it used to be that the 
San Joaquin area was king. Now they're the dominant factor in 
terms of volume, but in terms of dollars of grapes and dollars 


of purchases by the consumer, the North Coast premiums certainly 
have bypassed them. 

Our industry is very dynamic. Thirty years ago over 
half --in 1960 I think 55 percent of the business was in dessert 
wines. We've certainly come a long way now, where dessert wines 
are a very small factor. The future of the wine business 
continues to be in the table wine business, and there are 
certainly going to be other factors in there. I think the Wine 
Institute has done an outstanding job of adjusting. 

We live in a world of change. If I had talked to you two 
years ago and was able to forecast what was going to be 
happening to Russia and the other so-called countries of the 
Iron Curtain, you would look at me, shut off the interview, go 
back to Cal, and say, "That guy is squirrely." Look at the 
speed of change! Look what has happened in the Middle East. In 
a hundred hours America was re-established as a dominant factor 
in the world, and our dark hat was kind of bleached out and is 
now certainly white. The image of our president has moved up. 
We need to manage change, and I think the Wine Institute is just 
going through that period of change. It went through a 
tremendous catharsis in 1975 when a lot of members dropped out. 
I think we, like the planning we're doing for our vineyards, in 
the Wine Institute are adjusting for the year 2000. Probably 
ten years from now there will be another change. I see the Wine 
Institute continuing to be a very powerful organization. 

It's no different from any other business. We all have 
our moments of crisis. It's a roller coaster. Life is a 
roller coaster. 

The Napa Valley Vintners 

Maher: I'll tell you, the Napa Valley Vintners are a very positive 
influence . 

Teiser: Yes, I'd like to ask you to talk about that. 

Maher: I had the interesting job of being the chairman of both the Napa 
Valley Vintners and the Napa Valley Wine Auction at the same 
time, so it was really a challenging job. I'll say a little 
about the Wine Auction. I think it's a wonderful spirit of 
involvement that the Vintners have that they take so much time 



Maher : 

and spend so much money regarding the auction. The auction has 
grown from something that was very, very small to something that 
now generates in the neighborhood of half a million dollars a 
year for the charities here. I think the idea of community 
involvement is a very important one . What the Vintners are 
trying to do is to put back into the community some of the 
support that the community has given us. 

Focusing on the health care aspects of that is 
particularly outstanding. All of us Vintners feel very good 
about something called Clinic Ole , where we have gone back and 
been one of the driving forces in putting together medical care 
for a lot of the people who work in our industry the Hispanic 
membership. We're able to go ahead and provide those workers, 
and particularly their families, who might not have insurance or 
the ability to get good medical treatment. We have something 
called Healthy Moms; we get women, who oftentimes do not speak 
English involved in prenatal care in the early stages of their 
pregnancy so they can be monitored and go on the right diet and 
get the right medical attention. I think it is really a tribute 
to the character of the people in the wine industry in Napa that 
we do something like this. 

It certainly brings you good publicity, too. 
considerable value that way. 

It has 

It gives you a nice feeling. The interesting thing is that it 
is not just the Vintners who do this. I think last year we had 
over five hundred volunteers who did not work in the industry 
who would go out and not just sell tickets and be on the 
committees, but would move garbage, chip ice, pick up bottles, 
serve iced tea- -very, very deep community involvement. That's a 
wonderful thing. I think it's a good marriage between the 
Vintners, the health facilities, and the community. 

Land Use and Other Issues 

Teiser: One of the main interests of the Vintners has been land 
preservation, which has gotten into county politics. 

Maher: I think you have to look at the evolution of the Napa Valley 
Vintners. When I first came up here in 1975 it was a rather 
small group. Of course, there were not that many wineries 
around; there's been a tremendous explosion of wineries over the 


last sixteen years. It was a group that met once a month, and 
we discussed some issues. You have to realize that the issues 
have also changed in the last sixteen years. Traffic has reared 
its ugly head; some of the hillsides have been scarred up: 
erosion. Some of the streams that were crystal-clear sixteen 
years ago aren't so clear right now. As the population of the 
valley has increased, you're running into conflicts between 
f arming- - i. e. , we're basically farmers and urbanization. I 
think the county leaders have done a good job in putting 
together the agriculture preserve, where you can go ahead and 
preserve the vineyards. Instead of planting houses, we're 
planting grapes. Anytime you have a resource that is as 
valuable as the Napa Valley, and also as popular, you have some 
conflicts. We're taking steps, and hopefully we're going to be 
on the leading edge of land use. 

There's still an awful lot of controversy, even within the 
Vintners. When you take 110 people, all of whom are very 
talented, many of whom have had big and challenging jobs in 
other industries, and you bring them up here, we're not going to 
agree on everything. We have the liberal side and the 
conservative side, but once again we seem to weave our way 
through those problems. We've been dealing very deeply in 
politics. I don't know what your definition of politics is, but 
I think when the county starts defining what is a winery and 
where you can build one, that's not so much politics; that's 
survival . 

I think endorsing political candidates is risky. We had a 
problem a few year ago where we endorsed and then un- endorsed 
some. An industry of our size, which is the dominant industry 
in the valley, has to work very closely with the community and 
the community leaders. We do, here at Heublein Fine Wines, and 
all of our neighbors and competitors at major wineries are 
deeply involved in the local community. We know the city 
council; we want to work with them whenever the community has a 
problem. We also are involved at the county level, and we also 
participate in Sacramento, and some of us do some work in 
Washington. I think you need to be involved. 

Ours is an industry that we perceive one way, and there 
are some people out there who perceive our industry another way. 
There are ant i- alcohol forces out there that are vocal, know how 
to get good press, and are well -organized, and in some cases we 
are fighting for survival. I think the fact that we as an 
industry- -wine, beer, and spirits- -banded together to help 
defeat Proposition 134 was a great stroke of cooperation for our 


industry. The three segments of our industry have not always 
worked that closely together, but I think this is evidence that 
when we do work closely together we can do some powerful things. 

Teiser: What about the control of visitors? I suppose there's the 
possibility that you will be smothered in visitors. 

Maher: One of the problems we have is the geographical layout of our 
valley. It is a long, narrow valley with only two main roads 
leading into it. Yountville is the cutoff where Highway 29 goes 
from four lanes to two; the Silverado Trail is not very well 
known by a lot of visitors, and it's also windy and people tend 
to speed, so they tend to have a lot of accidents. We are 
vastly different from Sonoma, which has really good access and a 
much larger area; I think they're five times larger than we are. 
Our basic problem is that everybody wants to come here on a 
Saturday or a Sunday, and it is very tough to get around. 

When I first came to Napa Valley in 1960, there were no 
traffic lights. We moved here in 1975 and there were no traffic 
lights in St. Helena. Now we have two, and we're probably going 
to have to build some more. The character of the town has 
evolved. A lot of what I call local shops have been replaced by 
shops that cater towards tourists. We are a tremendous tourist 
attraction, and we need to go ahead and learn to live with that. 
A lot of the traffic up here is not generated by wineries alone. 
A lot of people come up here to go to Lake Berryessa; a lot of 
people come up here to go to Clear Lake- -Lake County is a 
growing place; a lot of people come up this way here to go to 
Santa Rosa. And there are all sorts of other attractions- -the 
mud baths and health spas in Calistoga, and there's gliding up 
there; we have balloonists down below. I think many times the 
wine industry is blamed for all the traffic problems, and while 
we certainly contribute to the problems, we are not the major 

The county administrators are recognizing this. When you 
go ahead and want to expand and build a winery, you need to talk 
about traffic count. We as an industry are taking a lot of 
steps to try and mitigate this, like not delivering grapes 
between four and six in the afternoon when there's traffic. If 
you're in close proximity to a subdivision, you try not to disk 
or use your sprayer hoe at three o'clock in the morning. We're 
trying to learn to live with urbanization, but it is very tough. 
It is very romantic- -someone comes up here and says, "Oh, I have 
a house right in the middle of a vineyard." Then when you turn 
the damned wind machine on at one o'clock in the morning and he 


thinks he's on the landing ramp at San Francisco Airport, you 
find out whether he's a farmer or not. Fortunately we have a 
right- to- farm vote that gives us some priority. 

No matter where you go in the world, urbanization and 
agriculture have a tough time getting along, so we need to work 
at this. 


Teiser: You have participated in the Export Targeted Assistance Program, 
and are participating now, I think. How does that work? 

Maher: This all goes back to 1983 and 1984 and the Wine Equity Act. 
Essentially, the government provides matching funds if you go 
ahead and spend money overseas. As an international company 
that sells wine and spirits all around the world, we're very 
interested in that and have some natural outlets. We have an 
organization called Heublein International that has many people 
working in it to sell not just our products, but some of the 
spirits products that our company represents around the world. 
We're probably one of the larger factors in the export business. 
We export some bulk wines to Canada that are bottled up there 
under our labels. All the products we export from here are 
bottled, so we bottle Inglenook and BV to sell around the world. 

Teiser: What percentage of the fine wine products go out of the country. 

Maher: I really don't know. That's handled by another organization. 
I'm kind of a custom packer preparing the goods for export. I 
think 5 percent of the total California production is exported. 
My guess is that we're probably a little higher than that. 
Inglenook has a good franchise in Europe, and Christian Brothers 
has been well established through its Seagram network in the 

Teiser: Does the effort on export have any connection with the declining 
consumption in the United States? 

Maher: I think it probably has to do more with the declining value of 

the dollar. [laughs] As the dollar loses its strength compared 
to the other currencies, we are much lower priced over there, so 
that's a great opportunity. I think the driving force behind 
export is the quality of our wines. We've had some wonderful 


statesmen, particularly Robert Mondavi. No matter where I go in 
the world, Robert Mondavi has either been there last week or is 
coming next week. He's been a great spokesperson for our 
industry, and particularly for the Napa Valley. He has shown 
that our wines can hold their own with anybody. 

Teiser: Another of our interviewees, not in the wine industry, ran into 
him and Margrit Biever in an African native village. 

Maher: There's a little obscure winery outside of Aukland, New Zealand, 
where I was a couple of years ago, and he was going to be there 
in a week! ! 



Teiser: What do you think about the whole future of the American wine 
industry, in relation to consumption, consumption levels, and 

Maher: I'm very optimistic on the future of the Napa Valley wine 

business. You asked me about the American wine business, and I'm 
not so sure I can comment on that. I think California still is 
becoming an even more powerful word around the world, particularly 
in wines. I think Napa Valley is starting to be recognized as one 
of the great grape -growing regions. When you look at wine 
consumption in the United States, all the good things are in our 
favor --the demographics, people are making more money nowadays, 
they have more leisure time, they're eating out more, they're 
getting better educated. The typical premium wine consumer is 
active, sophisticated, intelligent, but doesn't know much about 
wine. I think the more we can educate him, the larger our cadre 
of followers is going to be. 

Teiser: Do you think the Wine Institute has a part in the future education 
of consumers? 

Maher: The Wine Institute has a place in the education of consumers. I 
think the Wine Institute should not be involved in the marketing 
aspects of that; I think that is best left to the individual 
wineries. In terms of priorities, if I'm going to spend my 
dollars marketing, I'd rather spend the dollar myself. The next 
choice would be the Napa Valley Vintners, and the third choice 
would be the Wine Institute. I think the function of the Wine 
Institute should be to be involved in the political, the trade 
areas, trying to knock down the barriers. 



Maher : 

I would like to see wine available in more food stores in 
more states across the country. We still have a lot of states 
where you cannot buy a bottle of wine when you go in to buy a 
steak. We know that every time a state allows the sale of wine in 
grocery stores, consumption goes up. On the other hand, I think 
it's the right of the individual states to do whatever the hell 
they want. It's not for me to sit here in California and tell 
another state what it should do. I think it's up to the citizens. 

Negatives in the wine business? Economic dislocation, i.e., 
a recession. I think we're seeing some of the effects now. We 
seem to be coming out of that; restaurant traffic in those 
restaurants where premium wines are sold seems to be down but 
picking up. A war- -in January and February, I think people sat 
home and watched a war on television and didn't buy much of 
anything. Another high image drink? I can't see anything coming 
along that's going to replace wine. 

One thing that wine has for it is probably ten thousand years 
of rich history, tied in with the Bible, religious ceremonies, 
culture, the arts, and I think we're all gravitating towards that. 
We even make people a lot more familiar with wine. I think we in 
the industry perhaps made a little too much mystique around it, 
you know? Sniff and swirl- -hell, if it tastes good, drink it! 

I wonder sometimes if the wine industry as a whole wouldn't 
benefit by sponsoring the return of jug wines so that people just 
get going and drinking wine- -any wine. 

That's an interesting idea. I don't quite know how to do it. One 
of the things about our industry that's interesting is that 
twenty- five years ago, when I first came into it, we the 
manufacturers were kind of determining what the consumer drank. 
We said, "We're going to come out with a pink chablis, we're going 
to come out with this or that," and now the wine consumer is 
telling us. Look at this phenomenon called wine coolers. I mean, 
two little guys up in Lodi were mixing the stuff in their garage, 
and they created a whole new element that went to 75,000,000 
cases. The wine consumer wanted something light and fruity and 
drinkable with a little carbonation, and they came along and took 
this thing- -whoosh! 

They're doing the same thing now. We didn't tell them to 
stop drinking chablis from the San Joaquin Valley and start 
drinking North Coast Chardonnay. They, on their own, moved into 
that. The consumers are a hell of a lot smarter than they used to 


be. They're much more demanding, they're tougher to serve. 
They're tough to find, and once you find them it's tough to hold 
onto them. I think there's going to be continued ant i- alcohol 
pressure; we're going to be dealing with people who would like to 
see us reduce our scope or go out of business or both. We're 
drinking less but better; that's been an overworked phrase. That 
certainly bodes well for all of us here in the Napa Valley. I 
guess if I were in Lodi or Fresno, I wouldn't feel quite so 
comfortable, but now that I'm selling Napa Valley products--. I 
am a firm believer in the quality and the reputation of the Napa 
Valley, and I think the quality and reputation will improve. 

Teiser: Andre Tchelistcheff at a Wine Industry Technical Symposium has put 
forth the idea that we should have more low- alcohol wines. 

Maher: I'm fascinated by low- alcohol wines. We're taking a real hard 
look at that segment. I think it's premature; I think maybe we 
ought to come back in two years and talk about it. It seems to 
fit in with our lifestyle- -moderation, health considerations, 
drinking and driving. Alcohol does add something to flavor, 
though. If you taste non-alcohol wines, you miss the alcohol, 
which is an integral part of wine. But technology is improving. 
You used to have to cook the wine to get the alcohol out, and now 
you're using reverse osmosis and other new technology. 

In closing, I've been lucky to be affiliated with such a 
great industry and with such honorable competitors and associates. 
Just goes to show you that the good Lord looks after fools and 
dumb Irishmen! 

TAPE GUIDE -- Richard L. Maher 

Interview 1: August 28, 1990 1 

tape 1, side a 1 

tape 1, side b 15 

tape 2, side a 21 

tape 2, side b 32 

Interview 2: April 5, 1991 40 

tape 3, side a 40 

tape 3, side b 52 

tape 4, side a 57 

tape 4, side b 70 

INDEX- -Richard L. Maher 


Aiken, Joel, 57 

Allied Grape Growers, 13 

Beaulieu Vineyard (BV) , 13, 18, 

26, 31 51, 57, 58, 62 
Beekman, Philip E. , 36 
Bell, Anthony, 57 
Beringer Vineyards, 21-33, 57, 

62. See also Nestle, S A 
brandy, 9, 41, 44, 46 
Bras, Bob, 26 
Brennan, David, 48, 51 
Bronfman, Edgar, 36-37 
Bronfman, Samuel II, 37, 39, 51 

C & B (Crosse & Blackwell 

Cellars), 32 
Chalone Vineyard, 39 
Christian Brothers, 5, 6, 40-50, 


Coca Cola wine holdings, 34, 36 
Coleman, James, 12 
cooperage, 22, 24, 60 
Crawford, Charles, 12 
Cunningham, Mary, 36 

De Luca, John, 56 
Diener, Timothy, 40, 43 
Domaine Chandon, 51 

Eddy, Tom, 45, 57 

Fenderson, Albion, 10, 11 
Fromm, Alfred, 5-6, 40, 41 
Fromm & Sichel, 5, 40, 43, 44, 49 
Furek, Robert, 19 

Gallo, Ernest, 10, 11, 11-12, 35, 


Gallo, Julio, 11, 12, 35 

Gallo, Robert, 12 

Gallo, E. &J., winery, 8-12, 13, 

16, 19 , 20, 28, 35, 37 , 41, 


Gallo, E & J, winery (cont.) 

brand management system, 11 

brandy , 9 

champagne , 10 
Gott, Gary, 39 
Gott, James, 39 
Great Western United, 14-15, 16- 

Greystone Cellars, 46-47, 61, 62 

Hambrecht and Quist, Inc., 46 

Heitz, Joseph, 25 

Heublein Fine Wine Group, 5, 56- 

Heublein, Inc. 5, 12-13, 16-17, 

26, 39, 46 
Heublein International, 68 

Inglenook Vineyard, 13, 18, 26, 

38, 39, 57, 59, 60 
Italian Swiss Colony, 19, 20 

Kendall -Jackson Vineyards, 52 
Klenz, Walter T. , 26, 52 
Krug, Charles, winery, 51 

Labruyere , Jean Pierre , 21 
low-alcohol wines, 72 

Maher, Marcia Staples (Mrs. 

Richard L. ) , 40, 42 
Maher, Richard L. 

at Beringer Vineyards. See 

Beringer Vineyards 
at Christian Brothers. See 

Christian Brothers 
early years, 1-3 
at E. & J. Gallo winery, 8- 
in Marine Corps, 2 
at Procter & Gamble , 4-5, 6-7 
with Seagram, see Seagram 
with Shakey's Pizza Parlors, 14 
at Stanford University School of 

Business, 2-4 


Maher, Richard L. (cont.) 

wine, initial interest in, 15 
Masson, Paul, Vineyards, 34, 37- 


Matulich-Weitz, Judy, 57 
Mondavi, Peter, 51, 52 
Mondavi, Robert, 25, 51, 52, 56, 

Mont La Salle Vineyards, See 

Christian Brothers 
Monterey Vineyard, 34, 37, 38, 39 
Moone, Michael, 22, 25-26, 27 , 

51, 52 
Morgan Winery, 39 

Napa County land use, 65-68 
Napa Valley Vintners Association, 

56, 64-66 

Napa Valley Wine Auction, 64-65 
National Distillers, 23 
Nestle, S A, 21-28, 31- 36, 51, 


Nightingale, Alice, 23 
Nightingale, Myron, 22-23, 26 

packaging of wine, 29 
Parker, Robert, 30-31 
Peterson, Richard G. , 38-39 
phylloxera, 32, 54-55 
Procter & Gamble, 4-5, 6-7 
promotion of wine, 29, 30 

Quail Ridge winery, 47-48, 58. 

Richburg, John, 57 
rootstocks, phylloxera-resistant, 
54, 55 

sales and marketing, fundamentals, 


Sbragia, Ed, 23 
Schlem, Paul, 36 
Seagram, 33, 36-40, 41, 51, 57 
Seagram Wine Company, 37 
Self ridge, Thomas, 51 
Shakey's Pizza Parlors, 14-15 
St. Helena, 67 

Steinhauer, Robert E. , 25, 36 
Sterling Vineyard, 34, 57 

Sutter Home Winery, 28, 56 

Taylor California Cellars, 34, 38 
Tonjum, James F. 26 

United Vintners, 12, 13, 18, 19- 
20, 22, 26 

Vare, George, 47-48 

We lies ley, Elaine, 57 
Williams, John, 57 
Wine Equity Act, 68 
Wine Institute, 56, 63-64, 70 
Wine Spectator. The. 30 
Wine World, Incorporated, 32 
wine writers, 30-31 
Wright, John, 51, 52 

York, Gary, 40 

Grapes mentioned in the interview: 

Cabernet Sauvignon, 52, 53, 54 

Chardonnay, 52, 53 

Chenin blanc, 54 

French Colombard, 52 

Camay, 52 

Merlot, 52 

Petite Sirah, 52 

Petit Verdot, 52 

Pinot noir, 52 

Sauvignon blanc, 52 

Wines mentioned in the interview: 

Andre champagne , 10 , 20 

Annie Greensprings , 18, 19, 20, 

Boone's Farm label, 9, 13, 19 

burgundy, 45 

Cabernet Sauvignon, 28, 50, 52 

chablis, 45 

Chablis Blanc, 9, 28 

champagne , 10 , 60 

Chardonnay, 28, 50, 52 

Chenin Blanc, 28 

coolers, 71 


Eden Roc label, 10 

Font ana Candida, 32-33 

French Colombard, 28, 50 

Camay, 50 

Gray Riesling 

Grignolino, 28 

Hearty Burgundy, 9, 16, 28 

Merlot, 50, 52 

Navalle wines, 18, 20, 26 

Paisano, 10 

Petite Sirah, 52 

Petit Verdot, 52 

Pink Chablis, 9, 28 

pop wines, 9, 18, 19, 20 

Ripple, 9, 10 

Sauvignon Blanc, 28, 52 

S panada , 9 

T. J. Swann label, 19, 20 

Thunderbird, 8, 10 

White Zinfandel, 28 

Ruth Teiser 

Born in Portland, Oregon; came to the Bay Area 

in 1932 and has lived here ever since. 
Stanford University, B.A. , M.A. in English; 

further graduate work in Western history. 
Newspaper and magazine writer in San Francisco 

since 1943, writing on local history and 

business and social life of the Bay Area. 
Book reviewer for the San Francisco Chronicle . 

Co-author of Winemaking in California, a history, 

An interviewer-editor in the Regional Oral 

History Office since 1965.